The newspaper supplement to the catalogue is the front and back covers of the January 19-20, 1963 issue of the New York Herald Tribune. On the back cover,a public notice is circled with red crayon. It reads, Carl Fredrik Reutersward Closed for holidays 1963-1972. The inner two pages describe a Reutersward performance with photographs that is entitled KILROY WAS HERE. -- Source of annotation: Marvin or Ruth Sackner.

Ingrid Schauffner contributed an inciteful essay entitled, "A Chocolate Art History." In it, she pointed out that members of the Fluxist movement were among the first to use chocolate in their art works. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition curated by Dietrich Mahlow. The cover is perforated such that the word "collage" is formed. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Guy Brett. He writes in his essay, "The Century of Kinesthesia," that the works in the exhibition represent a language of movement or the physiognomy and poetics of language. Writing about dom sylvester houedard, Brett describes him as a Benedictine monk, poet, artist, and one of the most remarkable intellectuals in Britain. He developed a unique compressed prose style to theorise the discoveries of kinetic art and concrete poetry. The catalogue includes an extensive, illustrated chronology of the kinetic movement from 1910 to 1975 and also an anthology of previously published, selected essays by the artists in the exhibition. The Sackner Archive lent nine typewriter, optical works by Dom Sylvestre Houedard to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Guy Brett. He writes in his essay, "The Century of Kinesthesia," that the works in the exhibition represent a language of movement or the physiognomy and poetics of language. Writing about dom sylvester houedard, Brett describes him as a Benedictine monk, poet, artist, and one of the most remarkable intellectuals in Britain. He developed a unique compressed prose style to theorise the discoveries of kinetic art and concrete poetry. The catalogue includes an extensive, illustrated chronology of the kinetic movement from 1910 to 1975 and also an anthology of previously published, selected essays by the artists in the exhibition. The Sackner Archive lent nine typewriter, optical works by Dom Sylvestre Houedard to the exhibition. This copy differs from the other copy held by the Sackner Archive in that "Hayward Gallery" is printed on the spine, the second and final destination of this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Steven Watson. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent two books that consisted of poems by Joan Brossa and images by Joan Miro. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

The pages depict several of Duchamp's artworks. -- Source of annotation: Marvin or Ruth Sackner.

The pages depict several of Duchamp's artworks. -- Source of annotation: Marvin or Ruth Sackner.