Duchamp, Marcel, 1887-1968
Person
Dates
- Existence: 1887 July 28 - 1968 October 2
Nationality
French
Found in 5 Collections and/or Records:
Eros C'Est la Vie: A Biography by Alice Goldfarb Marquis / Duchamp, Marcel., 1981
Item
Identifier: CC-15579-15906
Marcel Duchamp by Robert Lebel / Duchamp, Marcel ; George Heard Hamilton, translator ; Crotti J ; Hugnet G ; Mallarme S ; Breton A ; Lebel R., 1959
Item
Identifier: CC-15583-15910
Scope and Contents
First published in French by Trianon Press in 1959. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1959
Rolywholyover: A Circus, 1993
Item — Box 287: [Barcode: 31858072460680]
Identifier: CC-28811-30126
Scope and Contents
The prints are photographic reproductions of some of the works in this exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1993
Surrealism and After: The Gabrielle Keiller Collection / Elizabeth Cowling, curator ; Breton A ; Dali S ; Cutts S ; Duchamp M ; Ernst M ; Finlay IH ; Long R ; Grosz G ; Hoch H ; Magritte R ; Ray M ; Paolozzi E ; Kitaj R ; Penrose R ; Picabia F ; Schwitters K ; Warhol A ; Cornell J ; Hugnet G ; Lichtenstein R., 1997
Item
Identifier: CC-42827-44867
Scope and Contents
The book includes an excellent essay on the art-collecting skills of Gabrielle Keiller. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1997
Uninterrupted Flux: Hedda Sterne - A Retrospective / Sterne, Hedda ; Steinberg S ; Janco M ; Arp H ; Duchamp M ; Reinhardt A., 2006
Item
Identifier: CC-46574-49304
Scope and Contents
In the Diary series, Sterne is quoted, "Maybe I am saying something which is a truism, but I feel that my work all along was like a dairy." The artist "effortlessly weaves paraphases of quotes by poets, novelists, philosphers, and theologians throughout her conversations, enjoying their ability to communicate a polyphony of diverse yet interrelated ideas. She has noted, 'all in all my greatest mentors were always books.' Although establishing direct corollaries between her paintings and books that have influenced her remins impossible, Sterne's Diary series reveals the central role they play in her thought process as well as her work. For several months in 1976, Sterne placed blank, unstretched canvases on the floor of her main living space (which then, as now, functions as kitchen, dining room, and living room), and then drew a grid patterrn on each. Daily, she filled one square grid with either a quote of her own thought and the date. The handwriting in each square alternates...
Dates:
2006