This is the exhibition catalogue of British and Portuguese concrete poetry and related work held from August to September, 1968. Each book including this one contains an original typing by Cavan McCarthy. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition included representative poems by contemporary Portugese poet/artists. Fernando Aguiar's drawing "Murmurios Acerca de um Soneto," Cesar Figueiredo's collages "Solar" and Alberto Pimenta's collages "Viagem Poetica" are reproduced in the catalogue. All the originals are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This Exhibition included representative poems by contemporary Portugese poet/artists. Fernando Aguiar's drawing "Murmurios Acerca de um Soneto," Cesar Figueiredo's collages "Solar" and Alberto Pimenta's collages "Viagem Poetica" are reproduced in the catalog. The originals are held by the Sackner Archive. The poster is an exhibition announcement. The pages have become detached from the glued binding. -- Source of annotation: Marvin or Ruth Sackner.

Given to the Sackners at the Yale University Portuguese Concrete Poetry Symposium (1995) organized by Keith Jackson and Johanna Drucker. De Melo e Castro utilized typewritten punctuations, brackets, and parentheses of different dimensions among the words to cause the reader to interact with his/her own words thereby creating another meaning. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition commemorated ten years of Poem/Processes a group in Brazil who employed semiotic poetry. -- Source of annotation: Marvin or Ruth Sackner.

This piece was included in Revue Ou No.28-29, a bookwork also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Each alternate page that was printed on white or gray paper stock is cut in increasing enlarging horizontal strips. Concrete poems printed on each page deal mainly with the act of breathing. -- Source of annotation: Marvin or Ruth Sackner.

It is mentioned that Hatherly's work is held by the Sackner Archive (cited as Ruth and Marvin Archive). -- Source of annotation: Marvin or Ruth Sackner.

This catalogue depicts reproductions of concrete poems including "Duplicado Anulado" in its folded state, a work held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This periodical was published in two issues. The Sackner Archive holds only issue No.2. -- Source of annotation: Marvin or Ruth Sackner.

The pages of this pamphlet are numbered 55 to 60 and therefore the poems appear to be a component of larger publication. -- Source of annotation: Marvin or Ruth Sackner.

This book is also designated Separada da Revista Contravento No.2, probably signifying that this book was a supplement to the periodical. It includes a reproduction of the poet's most well known concrete poem, "Pendulo." -- Source of annotation: Marvin or Ruth Sackner.

This book presents a sampling of the different approaches to concrete poetry and visual art employed by De Melo e Castro. There are several rubberstamped poems reproduced in this book including one in color. -- Source of annotation: Marvin or Ruth Sackner.

Larry Wallrich, to whom this book was inscribed, was a British/Canadian bookdealer from whom the Sackners purchased a substantial amount of concrete/visual poetic works in 1979-1980. This book presents a sampling of the different approaches to concrete poetry and visual art employed by De Melo e Castro. There are several rubberstamped poems reproduced in this book including one in color. -- Source of annotation: Marvin or Ruth Sackner.