Houedard is concerned about sending his reversals and reflecting poems to Ugo Carrega for an exhibition in Italy "but he prefers something more general - a bit of a retrospective - which puts me [Houedard] in a quandry as my stuff gets so scattered i never know where anything is & having had two retrospectives already (the V-&-A in london: the ceolgrith in newcastle at the laing) i cant start assembling stuff all over again - however i shall suggest he writes to the british council to see if they can help - also to the V-&-A which has a travelling show of some of my work (tho whether their travelling shows go abroad i am not certain." The envelope is addressed to Richard Aaron in Switzerland. -- Source of annotation: Marvin or Ruth Sackner.

Forty-nine artists/poets respond in visual/verbal terms to the question "What do you think of the actual situation of art?" -- Source of annotation: Marvin or Ruth Sackner.

Reprint of the rules for the first network published May 22, 1972 in Poznan, Poland. -- Source of annotation: Marvin or Ruth Sackner.

This extensive exhibition of poesia visiva was curated by Nicola Micieli. Critical essays were provided by Eugenio Miccini and Lamberto Pignotti. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Nicola Micieli; Eugenio Miccini and Lamberto Pignotti contributed essays. -- Source of annotation: Marvin or Ruth Sackner.

Consists of Accame's comments on the series of drawings with the same title held by the Sackner Archive. He indicates that he was the first to translate Jarry's poetry into Italian. The work deals with a teatise on pointology. As Accame explains, "If pataphysic is, by definition, the 'science of particulars,' what there is more particular than a point? ...'point becomes the place where beginning and end meet each other,' as you can also read in my tables." -- Source of annotation: Marvin or Ruth Sackner.