An explanation of each work is provided in a soft cover book accompanying the works that are stored within the large green box in form-fitted compartments. The translation from the Italian is handwritten in English on the verso of each of the 45 works. Carrega comes to concrete and visual poetry from a literary tradition rather than as a visual one This work is a mini-retrospective of his oeuvre dating from 1955; it has a great deal in common with conceptual art and text. -- Source of annotation: Marvin or Ruth Sackner.

The text deals with historic aspects of artist books, concrete poetry, and visual poetry in Italy during the twentieth century with illustrations from the seveties and eighties. The collage is tipped-in to the page facing the title page. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Klaus Groh. -- Source of annotation: Marvin or Ruth Sackner.

This profusely illustrated book includes a reproduction of a visual poem, "io qui adesso - respiro" that is held by the Sackner Archive (page 18). Also, some of Ferrari's drawings reproduced in this book appear to originate from Ferrari's "Artescrittura," an artist book held by the Sackner Archive. George Tudor ia Ugo Carrega's nom de plume. -- Source of annotation: Marvin or Ruth Sackner.

This profusely illustrated book includes a reproduction of a visual poem, "io qui adesso - respiro" that is held by the Sackner Archive (page 18). Also, some of Ferrari's drawings reproduced in this book appear to originate from Ferrari's "Artescrittura," an artist book held by the Sackner Archive. George Tudor ia Ugo Carrega's nom de plume. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue features documents of the avant-garde. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue features documents of the avant-garde. -- Source of annotation: Marvin or Ruth Sackner.

A photograph of this work is reproduced in a catalogue of Carrego's work (page 38), published by Benimino Carucci Editore, Rome, 1976. The latter is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

A photograph of this work is reproduced in a catalog of Carrego's work (page 38), published by Benimino Carucci Editore, Rome, 1976. The latter is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

A photograph of this work is reproduced in a catalogue of Carrego's work (page 38), published by Benimino Carucci Editore, Rome, 1976. The latter is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

A photograph of this work is reproduced in a catalog of Carrego's work (page 38), published by Benimino Carucci Editore, Rome, 1976. The latter is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Some works in this anthology are also held as individual works by the Sackner Archive, e.g., Di Donato's "9 Actions," Bentivoglio's "Monumento," Kemeny's "Quando," and Moineau's "Examplaire." A card by Gerald Rocher "Film" that is also held the Sackner Archive is included in this anthology. Carrega contributed a booklet periodical entitled "minitool No.1;" this might have been the sole issue. The particularly striking works included in Pantabox 69 are Michelle Perfetti's "Spray" and Robert Cyprich's calligraphic lithographic print. The cardbox housing the material is torn in several places but is still functional. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was drawn from the Archive of Paolo Della Grazia. -- Source of annotation: Marvin or Ruth Sackner.

The same text, "questo la mia mente ha liberado attraverso," is printed on every page with different visual and verbal elements added to it. -- Source of annotation: Marvin or Ruth Sackner.