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D S H (Dom Sylvester Houédard), 1924-1992

 Person

Found in 1306 Collections and/or Records:

Openings Press Card Series: Deus/Snap. No.2/Oct / Dom Sylvester Houedard., 1972

 Item
Identifier: CC-38124-40017
Scope and Contents

The color of the inscription is brown. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Openings Press Card Series: ode to the colonels (Hellas). No.8 / Dom Sylvester Houedard., 1970

 Item
Identifier: CC-38007-39893
Scope and Contents

This card deals with the contemporaneous political situation in Greece, e.g., a military dictatorship. The first 'l' in the ancient word for Greece,"Hellas," is removed and a displaced in at an angle over the 'e' leaving an empty 'l' space in the word. It signifies the "club" held over Greece by the dictatorship. On one of the cards, the verso is rubberstamped, "poem - summer 1967, first printed edition, abson press, for d/h read dsh, happy xyzmas/newxyear." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Openings Press Card Series: successful cube tranceplant in honor of chairman mao. No.7/Dec / Dom Sylvester Houedard., 1970

 Item
Identifier: CC-38128-40021
Scope and Contents

This poem was first published in London Magazine October 1970. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

or ange / Houedard, Dom Sylvester., 1968

 Item
Identifier: CC-55793-9999323
Scope and Contents

The handwritten word on the verso is "orange." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Orange Cube DSH] / Houedard, Dom Sylvester., 1966

 Item
Identifier: CC-55419-3333
Dates: 1966
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

orbor-ooo (030567) / Houedard, Dom Sylvester., 1967

 Item
Identifier: CC-56256-9999699
Scope and Contents

This typing is done on special paper with a shinny surface and a watermark. There are five blurred ink dots at the end of typed red lines of dashes. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Orientalia Rheno-Traiectina (140567) / Dom Sylvester Houedard., 1967

 Item
Identifier: CC-56832-10000200
Scope and Contents

The white paste is streaked with red abstract markings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Poem and Book Objects

Orientalia Rheno-Traiectina (140567) / Dom Sylvester Houedard., 1967

 Item
Identifier: CC-56832-10000200
Scope and Contents

The white paste is streaked with red abstract markings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Poem and Book Objects

Origins of British Experimental Poetry / Cobbing, Bob; Gomringer E; Houedard DS; Finlay IH; Morgan E; deMelo e Castro EM; Garnier P; Chopin H; Novak L; Fahlstrom O; Cox K; Williams J; Edmonds T., 1973

 Item
Identifier: CC-17671-18039
Scope and Contents

Cobbing discusses the early concrete poems of Ian Hamilton Finlay, John Furnival, Kenelm Cox, Dom Sylvester Houedard, and Tom Edmonds in depth. This essay is unbpubished. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Ou nouvelle serie: Cinquieme Saison, 1964

 Item — Box Artist Boxed Materials/Oversized: Chopin, Henri: [Barcode: 31858072491297]
Dates: 1964
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

[OULIPO] / Dom Sylvester Houedard., 1972

 Item
Identifier: CC-57072-10000434
Dates: 1972
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Our Lady 1 / Houedard, Dom Sylvester., 1952

 Item
Identifier: CC-55313-9999063
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1952
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Our Lady 2] / Houedard, Dom Sylvester., 1952

 Item
Identifier: CC-55319-9999068
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1952
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Our Lady Abstraction 1] / Houedard, Dom Sylvester., 1953

 Item
Identifier: CC-55326-9999075
Dates: 1953
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Our Lady Abstraction 2] / Houedard, Dom Sylvester., 1953

 Item
Identifier: CC-55327-9999076
Dates: 1953
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Our Lady Abstraction 3] / Houedard, Dom Sylvester., 1953

 Item
Identifier: CC-55328-9999077
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Our Lady Abstraction 4] / Houedard, Dom Sylvester., 1953

 Item
Identifier: CC-55334-9999081
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Our Lady Abstraction 5] / Houedard, Dom Sylvester., 1953

 Item
Identifier: CC-55340-9999087
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Our Lady Abstraction 6] / Houedard, Dom Sylvester., 1953

 Item
Identifier: CC-55362-555333
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Our Lady Abstraction 7] / Houedard, Dom Sylvester., 1953

 Item
Identifier: CC-55363-753226
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

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