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This page consists of groups of poems with permutations of the word mantra. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This page consists of three groups of poems with permutations of the word mantra typed in blue. Another version held by the Sackner Archive is typed in black. -- Source of annotation: Marvin or Ruth Sackner.

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This is the catalogue for an international exhibition of concrete, intermedia, and related work at Arlington Mill, Bibury, Gloucestershire held from July to September, 1966. This copy also has poet's names in graphite handwriting scrawled on the back cover. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is the catalogue for an international exhibition of concrete, intermedia, and related work at Arlington Mill, Bibury, Gloucestershire held from July to September, 1966. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Wikipedia: Peter Chad Tigar Levi, FSA, FRSL, (16 May 1931, Ruislip "“ 1 February 2000, Frampton-on-Severn), Professor of Poetry at the University of Oxford (1984"“1989) was a poet, archaeologist, sometime Jesuit priest, travel writer, biographer, academic and prolific reviewer and critic. Levi was born in Ruislip, Middlesex. The family of his father (Herbert Simon Levi) came from Istanbul and that of his mother (Edith Mary Tigar) was English. His mother was a devout Roman Catholic and his Jewish father converted to that religion; their three children all entered religious orders. He was educated in private Catholic establishments starting at Prior Park near Bath, run by the Christian Brothers. When he was 14 Oscar Wilde had become his literary idol. Wilde had said that the Greek text of the Gospels was the most beautiful book in the world, so a school with more Greek was demanded and he changed schools to Beaumont College, a Jesuit school in Old Windsor, Berkshire. While at...

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On the recto of an envelope Houedard has listed several variations on the names of Nicholas and Fiona Logsdale with the letters adding up to 34. -- Source of annotation: Marvin or Ruth Sackner.

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The complete title is "erected by the gloucestershire ode producers association." The handwritten name Keith is at the upper right corner. -- Source of annotation: Marvin or Ruth Sackner.

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The complete title is "erected by the gloucestershire ode producers association." The handwritten name" keith" is at the upper right corner. -- Source of annotation: Marvin or Ruth Sackner.

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This depicts working ideas for Frog Pond Plop, later realized in a different form as Opening Number No.6, 1965 and is stofred in the drawing binder. The typing of this work is stored in the typing binder. -- Source of annotation: Marvin or Ruth Sackner.

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There are four permutations of "odyseus" on the left side and one permutation of "obedient on the right side." -- Source of annotation: Marvin or Ruth Sackner.

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This second page of three shows distribution of letters on a three dimentional screen. -- Source of annotation: Marvin or Ruth Sackner.

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This third page of three depicts the two dimensional construction of the screen with "distribution of letters behind screen and one possible phrase appearing on screen." -- Source of annotation: Marvin or Ruth Sackner.

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This first page of three lists 8 possible words and discusses construction of a screen. -- Source of annotation: Marvin or Ruth Sackner.

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The following is mentioned at the end of thid poem: song 11.b trans from the nahuatl by dsh. Thus stored with other cosmic typewriter pieces in the London talk binder but was not shown there. -- Source of annotation: Marvin or Ruth Sackner.

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The instructions read "progressively aphetic with previous initial to fina l(of the title word is unclear.alternatively 1 datum word in circle & repeat beginning one letter to right each time) / order in rhomboid with h per pale dancetty / trim lefthand overhangs onto right / accent each line on antepenultimate. The origin -- Source of annotation: Marvin or Ruth Sackner.