Scope and Contents

Houedard attributes this poem to William Stone. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The title was probably not miss-typed by Houedard with carden for garden and peom for poem. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This copy has a white background onto are which printed colored letters dictated by the analysis on the verso. William Allen comments: "Dom Sylvester's memorial to the artist Ken Cox, who died in November 1968 after a tragic accident. This double-sided print was printed at the Compton Press, Salisbury, in orange and green on yellow stock. The verso side of the print features silkscreen, together with the title and date. Recto, printed in black, contains the full length title "Ken Cox Memorial/Sun-Cheese wheel-ode, a double-rolling-gloster memorial for kencox" and the complex workings of Houedard's Consonant and Vowel System, as well as acknowledging Semi-Bold Flaxman by Edward Wright. The letters K- E- N- C- O- X are missing from the composition - reflecting the loss of the artist. Less than 300 prints were produced on white, pink and yellow stock." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This copy has a yellow background onto are which printed colored letters dictated by the analysis on the verso. William Allen comments: "Dom Sylvester's memorial to the artist Ken Cox, who died in November 1968 after a tragic accident. This double-sided print was printed at the Compton Press, Salisbury, in orange and green on yellow stock. The verso side of the print features silkscreen, together with the title and date. Recto, printed in black, contains the full length title "Ken Cox Memorial/Sun-Cheese wheel-ode, a double-rolling-gloster memorial for kencox" and the complex workings of Houedard's Consonant and Vowel System, as well as acknowledging Semi-Bold Flaxman by Edward Wright. The letters K- E- N- C- O- X are missing from the composition - reflecting the loss of the artist. Less than 300 prints were produced on white, pink and yellow stock." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents On the first page Houedard wrote, "thank you for the invitation to your show - wish i cld have manged it all best sounds good" At the bottom of page three Houedard wrote, "typed in haste - unchecked - i fear with a slip or two - sent the with unslipt luvs" -s. Pages 2 & 3 of this letter are based upon an onomastikon that is a book, list, or vocabulary of names, especially of people. Wikipedia: Peter Schmidt (17 May 1931 "“ 22 January 1980) was a Berlin-born British artist, painter, theoretician of color and composition, pioneering multimedia exhibitor and an influential teacher at Watford College of Art. He was part of a generation of art school teachers in the 1960s and 1970s that had great impact on some students who later went on to work in art and music. He worked with Hansjörg Mayer, Brian Eno, Mark Boyle, Dieter Roth and had associations with Russell Mills, David Toop and Tom Phillips. the Sackner Archive holds one work by Schmidt, The Thoughts Behind the Thoughts", an...

Scope and Contents

Work relates in part to Greek mythology. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Eight red diagonal slash marks are positioned on the top and left side of the page above an incomplete black box containing a row of red overtyped numbers. Numbers at the bottom of the image are prime numbers, e.g., can only be divided by themselves. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

With this piece and its instruction based upon varied colored light displays and sounds, Houedard provides instructions for a digital poem. -- Source of annotation: Marvin or Ruth Sackner.