This book describes the collage work that uses cake decorations called jimmies or jubbies to suggest the tiny brush strokes of pure color seen in pointillist paintings by Seurat and other Neo-impressionist artists. Cutts reprints the correspondence between him and the Arts Council of Great Britain concerning the remounting and reissuing of the work after many of the jimmies had falllen off the card. The handcolored additions are made to a printed page of Homage to Seurat. The Sackner Archive holds a copy of this edition with the jimmies. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Brian Lane and Trevor Wells. -- Source of annotation: Marvin or Ruth Sackner.

Simon Cutts and Colin Sackett selected 16 publishers for an exhibition at the Plymouth Arts Centre. The publishers in turn selected the work of their press for presentation. The presses included Aggie Weston, Coracle, Moschatel Press, Weproductions, Wild Hawthorne Press and Writers Forum. -- Source of annotation: Marvin or Ruth Sackner.

Simon Cutts, publisher and poet, writes in an introduction, "It is by now difficult to substantiate any single definition of a book as made by an artist, and indeed this very issue may have been surpassed...These new books attempt to synthasise text, image, material, method of production and context into a unified single work. When this succeeds, the book functions as a primary form." -- Source of annotation: Marvin or Ruth Sackner.

Essay about home in Yorkshire of archivist and Finlay dealer, Greville Worthington. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue consists of a single page pop-up with statements about artists books. -- Source of annotation: Marvin or Ruth Sackner.