Scope and Contents

Images consist of language towers, number tower, the Statue of Liberty, a cowboy and Uncle Sam dipping an Englishman into a pot of tea. This print is depicted in Furnival's "Lost For Words" on pages 58-59. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The print depicts the Arc d'Triomphe as a shaped poem formed by collaged newsprint and calligraphic text. This Parisian structure is depicted facing the Avenue des Grandes Armees. The latter serves as a metaphor for part of an ejaculate from another of the print, viz., a penis shaped from collaged newsprint & calligraphic text that is a metaphor for the young revolutionaries in the May 1968 student led rebellion in France. Texts in the poem support the May 1968 action against the government. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This print is depicted on page 41 of Furnival's book "Lost for Words" (2011). -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This depicts the Eiffel tower as a shaped poem. The text is drawn by Furnival in his unique calligraphic style. A major portion of the poem consists of repetitive printed words, e.g., down under, stale, etage, escalation, etc. On the left side cluste word "rain" are slanted downward over the tower to emulate Apollinaire's famous poem. The rain falls on a cluster of the word "people" assembled at the base of the tower. The poem was reprinted in 1994 and both versions are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This print is depicted on page 43 of Furnival's book "Lost for Words" (2011). -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The layout and implications of this poem are similar to Arc d'Triomphe May 1968. Here the Eiffel tower formed by calligraphic text substitutes for Arc d'Triomphe and receives ejaculate from a penis shaped with calligraphic text, newspaper headlines and a collaged Albert-Birot print (Paridis). Text of the poem is a sympathetic response to the student rebellion in France during May 1968. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The image on the verso is a poem in the shape of a Christmas tree by ee cummings. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The message has been written on the verso of a photograph b&w depicting a visual poem by Furnival done in 1964. Furnival mentions that Mike Weaver was slightly peeved by Edwin Morgan's talk which leaned heavily on his "Image" article without giving Weaver credit for it. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a detail photograph of the Statue of Liberty that was composed with words on a 6 x 4 foot screen done with pen and ink on board. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This photograph of the center panel of one of Furnival's screens shows the Statue of Liberty which is totally composed of text. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Mentions meeting Alan Broughton, a painterpoet who had been visiting with Charles Verey and John Furnival. Also, Houedard provides information in a Sung manuscript that he believes Abrams might be interested in seeing.The name STEVE is typed in red in the sahpe of a six pointed star. Internet: Stephen Abrams was Head of the Soma Research Association and Joint-Managing irector of Avalon Botanicals from 1967 to 1970. He was the author of the Soma advertisement in The Times and a witness before the Wootton Sub-Committee. Up to the mid 1960s, the majority of cannabis offenders in Britain were imprisoned. The law did not distinguish between cannabis and heroin or between use and supply. The schedule of penalties encouraged imprisonment of first offenders. In July 1967, the Times published a full paged advertisement in support of cannabis law reform. The advertisement described the existing law as "immoral" and "unworkable" but stopped short of proposing legalisation or...

Scope and Contents

The image depicts the shape of the Leaning Tower of Pisa created totally of text. The verso indicates that the original is in the collection of Hansjorg Mayer. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book reproduces segments from Furnival's standing screens as well as presenting an anti-Vietnam war collage. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

An image of the Statue of Liberty (from Furnival's Manhatten print) is composed of contemporary newsprint printed in green on white paper. The poem by Emma Lazarus, "Give me your tired your poor" forms the flames originating from the statue's torch. At lower left and right side, Furnival utilizes letterforms from American currency for captions. On the left, "No One Sense (Unique) Marx Mai Words" is placed underneath the American symbol for money, the American Eagle with E Pluribus Unum. This print is depicted on page 63 of Furnival's book "Lost for Words" (2011). -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a reprint on different paper (Arches 88) of the same print from the sixties -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The poem is formed by dense clusters of words and letters except for the arches that are formed by lines to provide the shape and tilt of the Tower of Pisa. The subject matter deals in part with nations who have held the tower during its existence, e.g., France, Germany, and Italy. The print is silkscreened onto Arches 88 paper. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The poem is formed by dense clusters of words and letters except for the arches that are formed by lines to provide the shape and tilt of the Tower of Pisa. The subject matter deals in part with nations who have held the tower during its existence, e.g., France, Germany, and Italy. This unsigned print is depicted in black on page 36 of Furnival's book "Lost for Words" (2011). -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The poem is formed by dense clusters of words and letters except for the arches that are formed by lines to provide the shape and tilt of the Tower of Pisa. The subject matter deals in part with nations who have held the tower during its existence, e.g., France, Germany, and Italy. This print is depicted in red in one image and black in another image on page 36 og Furnival's book "Lost for Words" (2011). The Sackner copy is printed in blue ink. -- Source of annotation: Marvin or Ruth Sackner.