The edition size is unknown. This print is depicted on page 142 of Furnival's book, "The Locative-Vocartive Cases." -- Source of annotation: Marvin or Ruth Sackner.

The image on the verso is a poem in the shape of a Christmas tree by ee cummings. -- Source of annotation: Marvin or Ruth Sackner.

The ink color in each line of poetry becomes greener and relates to green vegetables (verdure). Apparently, Stevie Smith was a vegetarian. -- Source of annotation: Marvin or Ruth Sackner.

The image was printed in outline letters by Bernie Moxham on an ink jet printer and then filled in with graphite by John Funival. Anita O'Day (October 18, 1919 "“ November 23, 2006) was an American jazz singer. Born Anita Belle Colton, O'Day was admired for her sense of rhythm and dynamics, and her early big band appearances shattered the traditional image of the "girl singer". Refusing to pander to any female stereotype, O'Day presented herself as a "hip" jazz musician, wearing a band jacket and skirt as opposed to an evening gown. She changed her surname from Colton to O'Day, pig Latin for "dough," slang for money. The inscription was written by Furnival on the verso of the print. -- Source of annotation: Marvin or Ruth Sackner.

The cover was designed by Bill Griffiths. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue is divided into two sections. The first part lists special issues by authors and the second part magazines by title. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue served for an exhibition held at the Smallpress Bookfair at Victoria College Nov. 1992. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue serves as an annotated bibliography for the Five Seasons Press. -- Source of annotation: Marvin or Ruth Sackner.

Consists of a listing of works by Jonathan Williams. -- Source of annotation: Marvin or Ruth Sackner.

Zukovsky's poem reads, "There is a heart - has no complaint - better a-part - than faint - so the faintest - part of it - has no complaint - a part." Furnival illustrated it with concrete poems and Edward Wright did the typography. -- Source of annotation: Marvin or Ruth Sackner.

Two semi-realistic prints on gold foil and two on silver foil by Furnival are laid into the book. Comments on each of his poems are placed by Williams at the bottom of each page. -- Source of annotation: Marvin or Ruth Sackner.