Russell Radzinski edited the catalogue and contributed an introductory essay "Art/Power/Works and the Approach to Conceptual Art." For the exhibition Emmett Williams presented a new version of his Alphabet Symphony. It was conducted by his wife Ann Noel. -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts an image in color or black & white that recapitulates Noel's visual ideas. -- Source of annotation: Marvin or Ruth Sackner.

The loose sheets consist of four joined postcards to be hung at the end of the spokes of an umbrella as an art object. Most but not all of the images deal with umbrellas. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Barbara Rollman. The works in this exhibition all related to cows' milk, mothers' milk and milk machines. The Sackner Archive holds another copy with an appended collage by Jurgen Olbrich. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Barbara Rollman. The works in this exhibition all related to cows' milk, mothers' milk and milk machines. This 2nd edition is an abridged version of the catalogue pulished in 1994. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Barbara Rollman. The works in this exhibition all related to cows' milk, mothers' milk and milk machines. Jurgen Olbrich added a collage. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Ann Noel box. -- Source of annotation: Marvin or Ruth Sackner.

The case is a modified cigarette case and the drawings are rolled within paper, printed wrappers like cigar wrappers. The drawings depict cryptic messages, images, writings, blank paper, perforations, and mathematical formulae as might be expected if this case were carried by a spy. -- Source of annotation: Marvin or Ruth Sackner.

The image on each page is printed on one-side and depicts a 2 x 2 grid of circular images in black & white that have been stamped in ink from manipulated bottle corks. -- Source of annotation: Marvin or Ruth Sackner.