Fierens, Luc, 1961-
Person
Dates
- Existence: 1961
Nationality
Belgian
Found in 136 Collections and/or Records:
Serie: Images and Lies / Fierens, Luc., 1989
Item
Identifier: CC-12846-13133
Small Press Review. No.365-366/Jul / Kostelanetz R ; Grumman B., 2003
Item
Identifier: CC-41409-43394
Scope and Contents
Bob Grumman reviews the performances in his essay Mad Poet Symposium, Part Five from "An American Avant Garde: Second Wave," held at Ohio State University Library, Sept 27, 2002. There are letters from readers as well as a guest editorial in response to Richard Kostelanetz's essay " What to Do about Manuscript-Filchers?" -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2003
Social - Art / Van Sebroeck, Annina, editor ; Fierens, Luc, editor ; Fierens L ; Fricker H ; Kamperelic D ; Ben ; Padin C ; Laszlo JN ; Seifert J ; Staeck K ; Reichert B ; Held Jjr ; Blaine J ; Bulatov D ; Vermeulen G ; VanSebroeck A., 1999
Item
Identifier: CC-35836-37596
Studie fur eine Geschichte einer Hysterie / Fierens, Luc., 1991
Item
Identifier: CC-11118-11333
Sulla Strada, 2011
Item
Identifier: CC-54705-990140
Scope and Contents
The Emily Harvey Foundation also supported this publication. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2011
The World / Fierens, Luc; Altemus R., 2007
Item
Identifier: CC-46368-49093
Scope and Contents
Each print consists of a visual and visual/verbal based poem printed from a collage. Each contains a previously published photograph of holacaust subjects. Reed Altemus is the publisher of Live Matter. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2007
This is Visual Poetry. No.54/Aug / Luc Fierens., 2010
Item
Identifier: CC-52052-73154
Scope and Contents
On the back cover and internet, it is stated that Luc Fierens (www.vansebroeck.be) was born 1961 in Mechelen (BE). He's "an active mail-artist since 1984, when he began delivering his distinctive flavor of poesia-visiva-inspired visual poetry to individuals, exhibitions, and archives around the planet. His method of production is collage, a particular brand of verbo-visual collage that makes it points by abrupt collocations of disparate fragments of image and word." (Geof Huth 2007). Recent publications include contributions to anthologies: Zieteratuur (Uitgeverij Passage, Groningen, 2010), Ein Alphabet der Visuellen Poesie (edition ch, Wien, 2010) and Poeti D'Europa (Fondazione Sarenco, Italy 2009). "Luc Fierens is a master of the narrative and discursive serial collage poem." (Jim Leftwich 2005) Luc says: "This series is a critique on the position of women's beauty in society : past, present & future. These layers make connections between image/word. My language of bodies...
Dates:
2010
Tre Poeti d'Europa / Calleja, J.M. ; Clavin, Hans ; Fierens, Luc., 2004
Item
Identifier: CC-45763-47972
Scope and Contents
This catalogue consists of photographic reproductions of collages exhibited at the gallery. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2004
Umetnost Kao Komunikacija / Kamperelic, Dobrica ; Arts A ; Olbrich JO ; Fierens L ; Padin C ; Todorovic M ; Banana A ; Segay S ; Nikonova R ; Deisler G ; Held Jjr ; Cleveland B ; Maggi R ; Mittendorf H ; Wolf-Rehfeldt R ; Baik KN ; Ben ; Diotallevi M ; Aguiar F ; Fricker HR ; Dudek-Durer A ; Pittore-Eurifico C ; Jacob JP ; Cavellini GA ; Bleus G ; DeGrott J ; Tisma A ; Altemus R ; Riha K ; Caraballo J ; Shimamoto S ; PLG ; Cantsin M ; Bloch M ; Random S ; Ackerman A ; Cohen R ; Bates K ; Black B ; Massa J ; Nielsen MO ; Bruscky P ; Frank J ; Stetser C ; Strada G ; Frank J., 1992
Item
Identifier: CC-07909-8063
Scope and Contents
This mail art exhibition featured body art. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1992
Visual Poetry Collaboration. No.16, 2002
Item — Box 314: [Barcode: 31858072490802]
Identifier: CC-39789-41752
Scope and Contents
Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2002
Visual Poetry Collaboration. No.17, 2002
Item — Box 314: [Barcode: 31858072490802]
Identifier: CC-39790-41753
Scope and Contents
Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2002
Visual Poetry: Mail Art Project / Luc Fierens, curator ; Matsumoto A ; deAraujo A ; Restrepo T ; Rose M ; Adasme ; Galdamez J ; Paz H ; Altemus R ; Pontes H ; Kostelanetz R ; Marlowe W ; Todorovic M ; spence p ; Nakamura K ; Perkins S ; Pittore-Eurifico C ; Izumi N ; Ebel G ; Padin C ; Vleeskens C ; Stetser C ; Boschi A ; Bulatov D ; Chirot D ; Bentivoglio M ; Bennett JM ; Ferrando B ; Calleja JM ; Basinski M ; Garnier P ; Nikonova R ; Rabascall J ; Aguiar F ; Gappmayr H ; Pelati L ; Dencker KP ; DeVree F ; Sarenco ; Blaine J ; Castellin P ; Warnke U., 2002
Item
Identifier: CC-54934-990349
Scope and Contents
Klaus Peter Dencker contributes an essay, From Concrete to Visual Poetry with a Glance into th Electronic Future: Since the 1960s I have established myself in the middle ground between literature, visual art, and film, practically and theoretically; what has been especially exciting has been investigating the origin and history of these border zones. Thus, beginning with the origins of writing, the picture alphabets, we have examples of the mixing of image &nd text from the Greek magical papyri to the early figure poems of the Greek bucolic poets, Porfiry's Latin gris poems, the variants of the successors to the Carolingean Renaissance, the Baroque text figures, the scrolls of the sixteenth century and their predecessors up to the free text-pictures of the turn of the century somewhat as in Mallarme and Apollinaire, which the experiments of the futurists and dadaists followed, continued, and expanded, to entirely unique forms brought through by the artists of concrete and...
Dates:
2002
visual writing re-connected / Fierens, Luc ; DeVree J ; Dencker KP., 2007
Item
Identifier: CC-46406-49131