Scope and Contents These prints, depicted as reproductions in this issue, were shown in a show entitled Generations and Continuities (1979-1980) held at Carpenter Center for the Visual Arts, Harvard University.At the opening of the exhibition Yo-Yo Ma himself performed Incidental Music for Yo-Yo Ma, playing a Bach unaccompanied suite, accompanied by the late Ivan Tcherepnin making waves of electronic distortion to match the progressive complexity of the score. There were five suites of serigraphs shown in the exhibition - Eros, Shakespeare's XXXth, A-Journey, Impressions of Japan and Incidental Music for Yo-Yo Ma were produced by Edition Noël at Harvard in 1979-1980. All of them are based on experiments in the electrostatic distortion and generation of texts and images. To oversimplify: I used the Xerox 3100 duplicating machine at Leverett House, Harvard University, as a creative tool to perform tasks that makers, buyers and users of such machines used to consider (a) a misuse of sophisticated...

Scope and Contents

The expanded catalog with original xerox prints in an edition of 12 is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a limited edition catalog of the exhibition that includes prints from the exhibition. Another limited edition of signed prints enclosed within a box was published in an edition of 50 copies. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents These prints, depicted as reproductions in this issue, were shown in a show entitled Generations and Continuities (1979-1980) held at Carpenter Center for the Visual Arts, Harvard University.At the opening of the exhibition Yo-Yo Ma himself performed Incidental Music for Yo-Yo Ma, playing a Bach unaccompanied suite, accompanied by the late Ivan Tcherepnin making waves of electronic distortion to match the progressive complexity of the score. he five suites of serigraphs shown in the exhibition - Eros, Shakespeare's XXXth, A-Journey, Impressions of Japan and Incidental Music for Yo-Yo Ma were produced by Edition Noël at Harvard in 1979-1980. All of them are based on experiments in the electrostatic distortion and generation of texts and images. To oversimplify: I used the Xerox 3100 duplicating machine at Leverett House, Harvard University, as a creative tool to perform tasks that makers, buyers and users of such machines used to consider (a) a misuse of sophisticated hardware, (b)...

Scope and Contents

Jurgen Olbrich served as a juror for this exhibition that was a competition for copy-art. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book appears to have done in conjunction with an exhibition 1995 in Lodz. -- Source of annotation: Marvin or Ruth Sackner.