Tzara, Tristan, 1896-1963
Person
Dates
- Existence: 1896 - 1963
Found in 2 Collections and/or Records:
reading visual poetry / Bohn, Willard ; Albert-Birot P ; Cansinos-Asens R ; deTorre G ; Huidobro V ; Bauitista J ; delVando-Vilar I ; Raida P ; Nimero A ; Vighi F ; Quintanilla L ; Novo S ; Gonzalez deMendoza JM ; Frias JD ; Hidalgo A ; Girondo O ; Tzara T ; Breton A ; Scurto I ; Masnata P ; Crali T ; DeCampos A ; DeCampos H ; Pignatari D ; Grunewald JL ; Kac E ; Sackner MA ; Sackner RK ; Puche E ; Apollinaire G., 2011
Item
Identifier: CC-52069-73171
Scope and Contents
It should be noted that Bohn does not differentiate concrete poetry (words only in Sackner's definition) from visual poetry (integrated words and images in Sackner's definitions). Bohn also includes a chapter on digital poetry. The back cover reads the following. "Visual poetry can be defined as poetry that is meant to be seen. Combining painting and poetry, it attempts to synthesize the principles underlying each discipline. Visual poems are immediately recognizable by their refusal to adhere to a rectilinear grid and by their tendency to flout their plasticity. In contrast to traditional poetry, they are conceived not only as literary works but also as works of art. Although they continue to provide visual cues that aid in deciphering the text, they function simultaneously as visual compositions. Whether the visual elements form a rudimentary pattern or whether they constitute a highly sophisticated design, they transform the poem into a picture. Reading Visual Poetry examines...
Dates:
2011
The Poetry of Dada and Surrealism: Aragon Breton Tzara Eluard & Desnos / Caws, Mary Ann ; Aragon L ; Breton A ; Tzara T ; Eluard P ; Desnos R., 1970
Item
Identifier: CC-19803-20190
Scope and Contents
Caws "emphasizes the thematic continuity rather than the theoretical differences between Surrealism & Dada" & the five major poets of the movements. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1970