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This print was made to commemorate The Beauty in Breathing exhibition held in the Miami Beach Convention Center at the Annual Meeting of the American Thoracic Society/American Lung Association. It consisted of clippings from newspapers and magazines dealing with phrases utilizing the words, breath, breathe and breathing. -- Source of annotation: Marvin or Ruth Sackner.

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This family portrait was photographed by Duane Michals and titled "The Bus Stop" for the story without words told by the eight photos he selected from the many he took in front of a white New York building. As the Sacker family enters in chronological order and waits for the arrival of a bus, they appear as total strangers to each other with no communication among them. The bus arrives, they get on and it remains a mystery whether they ever made contact with each other. -- Source of annotation: Marvin or Ruth Sackner.

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This book reprints poems by Lowell, levy, rjs, Cook, and Taylor. In addition, there are reproductions of unpublished paintings by Levy and collages by rjs. Unpublished poems by Taylor and Kryss are also printed. -- Source of annotation: Marvin or Ruth Sackner.

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Reproduces in color the painting by Tom Phillips, "The Sackner Artchive," taken from the Phillips' exhibition catalog, Works and Texts 1992. This painting was commissioned by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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Janecek provides a critical analysis of Russian Avant Garde literature and translations of some of key pages. -- Source of annotation: Marvin or Ruth Sackner.

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Bayard dedicated the book, which developed from her doctoral thesis, to Ruth and Marvin Sackner. In the acknowledgments she states, "I would like to express my gratitude ...especially to Marvin Sackner for generously granting me unlimited access to his marvellous collection of concrete and post-modern artefacts. Without such direct, visual, and hands-on contact with concrete and deconstructed items, I would have known them only abstractly."Bayard's book is heavily oriented to criticism and theory of concrete poetry with particular attention to the work of bp Nichol. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The Postcard Century tells the story of the last hundred years in its own words and images. Two thousand picture postcards and their messages provide a living account of the daily existence of people and a vivid glimpse of what mattered to them, pleased them, shocked or amused them via the cards they chose to send. Tom Phillips provides a commentary on the visual material, giving a perceptive and thoughtful context for the messages. This book gives a unique glimpse into the hearts and minds of the people who lived through the most turbulent century in our history. Phillips' introduces this book with a history and account of postcards and postcard collecting. Phillips indicates in the introduction that the book is arranged such that each annual section features a view of Picadilly Circus and another of the New York skyline, all posted in the that year. This choice relates to one of his artistic parallel streams of creativity, images changed by the passage of time. Further, this...

Scope and Contents The Postcard Century tells the story of the last hundred years in its own words and images. Two thousand picture postcards and their messages provide a living account of the daily existence of people and a vivid glimpse of what mattered to them, pleased them, shocked or amused them via the cards they chose to send. Tom Phillips provides a commentary on the visual material, giving a perceptive and thoughtful context for the messages. This book gives a unique glimpse into the hearts and minds of the people who lived through the most turbulent century in our history. Phillips' introduces this book with a history and account of postcards and postcard collecting. Phillips indicates in the introduction that the book is arranged such that each annual section features a view of Picadilly Circus and another of the New York skyline, all posted in the that year. This choice relates to one of his artistic parallel streams of creativity, images changed by the passage of time. Further, this...

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This catalogue depicts two works from the Sackner Archive who is also listed among the supporters of this publication. The drawing was given to the 11 supporters of the publication of this book. -- Source of annotation: Marvin or Ruth Sackner.

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Most of the images depicted in this catalogue are examples of Language Art. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue depicts two works from the Sackner Archive that is also listed among the supporters of this publication. A drawing given to the 11 supporters of the publication of this book is depicted in another entry. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue includes an essay and interview with Ely by Ian Boyden, Director of the Sheehan Gallery. The illustrations are reproduced from the book with the same title as the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

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This book was assembled by Sara Sackner on the occasion of Marvin Sackner's 70th birthday. It contains clips from the film "Concrete" that Sara produced about the Archive. Her dedication reads, " Oh Clips!/ Speak to me/ LONG and short/ Tell me / Where you want to go!" -- Source of annotation: Marvin or Ruth Sackner.

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This is a copy of Drucker's catalogue essay for the exhibition "Symbols to Stories" at the Centre Gallery, Miami-Dade Community College from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue documents an exhibition of artist books (multiples) by Hutchins. The check list of books are printed four to a card that is slipped into woven page strips also with book listings. The cards illustrate three book installations. The Sackner Archive is listed as holding work by Hutchins. -- Source of annotation: Marvin or Ruth Sackner.

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Andrea Dezso takes the leitmotif of her life - an artist caught between civilizations - and gives it to us in crafted form. The entire body of her work, from the drawings and fragments of her journal, to the cut-out silhouettes, to the ceramic figures, to the needlepoint and kitchenware, is the material for a gigantic story: part fairytale, part diary, part chapter of world history. The total picture is so sad, magical, melancholy and hilarious that it couldn't possibly be true. but it is. Morgan Meis contributes a descriptive essay of Dezso's life and work. The Sackner Archive is listed as holding her pieces. -- Source of annotation: Marvin or Ruth Sackner.

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The image is an abstract brush stroked calligraphic mark. -- Source of annotation: Marvin or Ruth Sackner.

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The Sackner Archive lent six works to this exhibition which was acknowledged in the pamphlet. -- Source of annotation: Marvin or Ruth Sackner.

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This is a review of Tom Phillips lecture and exhibition of A Humument at the Van Pelt Library. The Humument pages were lent by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.