This is the second revised edition that includes the proceedings of a symposium in which the Sackners took part. Timothy Eaton curated this comprehensive exhibition of book art and in the preface acknowledges the Sackner Archive as "the premier contributors with the loan of fifty works..." -- Source of annotation: Marvin or Ruth Sackner.

This book is an anthology of visual and picture poems made by students from kindergarten to the 12th grade living in Seattle, Washington. The poems and teaching methods are analyzed by the author who was a poet-in-residence in the school system in Seattle. In the final chapter, he presents and comments on poems by established adult poets. -- Source of annotation: Marvin or Ruth Sackner.

Pignotti provides an extensive historic review of visual/verbal material including discussions of major art movements as well as fashions and pornography. Contemporary presentations relate primarily to Italian poets and artists. Corrado D'Ottavi's collage 'Lei e artista?' depicted on page 279 of this book is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The following works depicted in this book are held by the Sackner Archive: "Les Mots en Liberte Futuriste" by Marinetti, "BIF&ZF+18" by Soffici, "Karawane" by Hugo Ball, "Dada Almanach," "Der Dada," "Program for a Dada-Soiree" by Schwitters, "Ledentu le Phare" by Iliazd with collage cover by Gronowsky, "Die Kunstismen" by Lissitzky, and "Utopia" by Itten. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue is divided into Toward Futurism (1880-1909), Futurism (1909-1918) and Futurisms (1909-1930). It also contains a dictionary of Futurism, a chronology of the movement, color reproductions, listing of works exhibited, bibliography and index. Books depicted and once held by the Sackner Archive include Delauney's "Transsiberian Railroad" and Depero's "Bolted Book." The Sackner Archive still holds"Blast," "The End of the World," "BIF&ZF+18" as well as others by Cangiullo & Marinetti. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Anne Coffin Hanson who planned this exhibition in conjunction with her graduate students who contributed essays to this catalog on such topics as Marinetti's Parole in Liberta and the Futurist Collage Esthetic (Christine Poggi), Luce Futurista: Art for an Electric Age (Anne Temkin), and Words-In-Freedom, & Cangiuillo's Dancing Letters (Antonella Ansoni). Several of Marinetti's unpublished Parole in Liberta are reproduced as well as pages from a book by Rognoni. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue began with an historical introduction to text based works and included reproduced images of 20th century artists whose works are held by the Sackner Archive such as Apollinaire, Marinetti, Sabatier, Indiana, Kriwet, Augusto de Campos, Furnival, Finlay, Gomringer, Klaus-Peter Dienst, and Schuldt. The exhibition itself featured several artists whose works are held by the Sackner Archive, viz., Barton Lidice Benes, Howard Finster, Werner Hartmann, Stephanie Brody Lederman, Betty Tompkins, Regina Vater -- Source of annotation: Marvin or Ruth Sackner.

This book traces the history of concrete-visual-shaped poetry from ancient times to the earl avant garde movements of the 20th century and concludes with Hungarian works. -- Source of annotation: Marvin or Ruth Sackner.

This book reproduces announcement and invitiation cards of gallery exhibitions of concrete and visuaal poetry in Spain in the 1960s and early 1970s. This is followed by an an in-depth review illustrations of the works composed by these poets. -- Source of annotation: Marvin or Ruth Sackner.

This book reproduces an extensive number of Futurist poems. -- Source of annotation: Marvin or Ruth Sackner.

Essays were originally delivered at the symposium "Modernism in the Low Countries 1915-1930," held at the University of Texas at Austin. Primary focus was on Dutch Modernist poetry, especially the work of VanOstaijen and Bonset. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition catalogue dealt with published and unpublished examples of Parole In Liberta. One such poem by Jamar 14 (aka Piero Gigli), "Villa T.B.C.," had the theme of a stay in a Tuberculosis Sanatorium. -- Source of annotation: Marvin or Ruth Sackner.

These books feature a compendium of one of the largest number of reproduced pages of Parole In Liberta. It includes several pages reproduced from books that are also held by the Sackner Archive including Zang Tumb Tuum, Lacerba, Les Mots en Liberte F Buzzi; Caffe Concerto by Cangiullo; Depero Futurista and Numero Unico Futurista Campari by Depero; Bif/ZF+18 by Soffici; Baionette by D'Alba; Zang Tumb Tuum and L'Anguria Lirica by d'Albisola among others. -- Source of annotation: Marvin or Ruth Sackner.

From his personal collection, Celant mounted an exhibition of record covers as artworks that also featured sound poetry. He includes a definitive discography from 1927-1977 and a listing of record producers. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue covers "Text and Image in the Art of the Twentieth Century," in four sections, 1900-1940, 1940,-1970, and 1970-1990 and contains numerous reprinted essays as well as those written especially for the exhibition. Topics include Concrete and Visual Poetry, Language relating to Fluxus and Dada, and texts on Marcel Broodthaers, A.R. Penck, Neil Jenney, Nancy Dwyer, Tim Rollins and KOS, Ken Lum, and Barbara Kruger among others. -- Source of annotation: Marvin or Ruth Sackner.