Glueck describes Marinetti's expression of Simultaneity (perceptual registration of many things happening at once) in poetry that he called parole in liberta or words in freedom. "He combined onomatopoetic word fragments, numbers, symbols and typographical effects in a format that stormed the viewer's eye, making poetry a visual rather than an auditory experience...These words in freedom compositions obviously played a role in the developement of concrete and other visual poetry of la -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of "Books as Art," an exhibition held at the Boca Raton Museum to which the Sackner Archive lent 50 books. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Luciano Caruso and Sonia Puccetti. This is a reprint of a magazine published in 1931. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Luciano Caruso and Sonia Puccetti. This is a reprint of a magazine published in 1927. -- Source of annotation: Marvin or Ruth Sackner.

The drawing was made by Cangiullo. -- Source of annotation: Marvin or Ruth Sackner.

Signed by the poet's widow. -- Source of annotation: Marvin or Ruth Sackner.

This book was published to coincide with an exhibition of the same title held in Rovereto. The bolted book and pages from Cordial Campari, books held by the Sackner Archive are described and reproduced. In a letter to Marinetti from NYC, Depero write on page 259 "There is no other city... where you can learn to know the Jewish people. My best clients, friends, admirers are Jews... Very patient, very hard-working, persistant to the unbelievable point... They are absolutely sensitive... -- Source of annotation: Marvin or Ruth Sackner.

The catalogue edited by Wendy Kaplan was published for the inaugural exhibition of the Wolfsonian Museum, Miami Beach. The Sackner Archive lent Sonia Delaunay's "Transsiberien Railway" to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This was a minor exhibition of original Futurist documents with secondary supporting materials. -- Source of annotation: Marvin or Ruth Sackner.

This series which was edited by Piero Pacini consists of reprints of 26 exhibition catalogs of the Italian Futurists from galleries in Milan, Rome, Naples, Florence, London, Berlin, Rotterdam, Brussels, and Paris. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue is divided into Toward Futurism (1880-1909), Futurism (1909-1918) and Futurisms (1909-1930). It also contains a dictionary of Futurism, a chronology of the movement, color reproductions, listing of works exhibited, bibliography and index. Books depicted and once held by the Sackner Archive include Delauney's "Transsiberian Railroad" and Depero's "Bolted Book." The Sackner Archive still holds"Blast," "The End of the World," "BIF&ZF+18" as well as others by Cangiullo & Marinetti. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. This catalogue consisted of works from the collection of Giovanni Lista. Three Parole In Liberta (words-in-liberty) poems by Rognoni in this sale were purchased by the Sackner Archive. The items offered for sale featured Futurist periodicals and works by Rognini. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.