This manuscript, published as a book that is also held by the Sackner Archive, was presented at the First International Symposium on Letterism. In the introduction, Failing focuses on Isou and mentions that James Joyce was his earliest inspiration. Takes up Lemaitre work when he is 24 years old and preparing his picture novel, Canailles. Note that even in his early works, Lemaitre's images can be distinguished from Isou in that they are more refined and contain a greater variety of shapes and lettering. -- Source of annotation: Marvin or Ruth Sackner.

This is the second revised edition that includes the proceedings of a symposium in which the Sackners took part. Timothy Eaton curated this comprehensive exhibition of book art and in the preface acknowledges the Sackner Archive as "the premier contributors with the loan of fifty works..." All the authors contributing an essay to this catalog signed the book. -- Source of annotation: Marvin or Ruth Sackner.

This is the third edition of the catalog. -- Source of annotation: Marvin or Ruth Sackner.

Consists of five reprints of futurist manifestos with critical comments by Caruso. -- Source of annotation: Marvin or Ruth Sackner.

The editor states that the 17 essays in this book are concerned with poetry readings, the sound of poetry and the visual performance of poetry. They "offer original and wide-ranging elucidations of how twentieth-century poetry has been practiced as a performance art." Johanna Drucker contributed a chapter titled "Visual Performances of the Poetic Text" in which she describes and illustrates several poems of early 20th century visual poetry movements including an in depth analysis of "Poesie de mots inconnus" by Iliazd, a book that is held by the Sackner Archive. A listing of audio resources and a bibliography are included. -- Source of annotation: Marvin or Ruth Sackner.

The complete text of Karel Teige's typographic manifesto, published in Typografia No.34, 1927, is reprinted at the end of this catalogue in German. -- Source of annotation: Marvin or Ruth Sackner.

This book was published to coincide with an exhibition of the same title held in Rovereto. The bolted book and pages from Cordial Campari, books held by the Sackner Archive are described and reproduced. In a letter to Marinetti from NYC, Depero write on page 259 "There is no other city... where you can learn to know the Jewish people. My best clients, friends, admirers are Jews... Very patient, very hard-working, persistant to the unbelievable point... They are absolutely sensitive... -- Source of annotation: Marvin or Ruth Sackner.

The catalogue edited by Wendy Kaplan was published for the inaugural exhibition of the Wolfsonian Museum, Miami Beach. The Sackner Archive lent Sonia Delaunay's "Transsiberien Railway" to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Joaquim Molas contributed a lengthy introductory biographic essay. This is the 22nd printing of the book. -- Source of annotation: Marvin or Ruth Sackner.

Pignotti provides an extensive historic review of visual/verbal material including discussions of major art movements as well as fashions and pornography. Contemporary presentations relate primarily to Italian poets and artists. Corrado D'Ottavi's collage 'Lei e artista?' depicted on page 279 of this book is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Published on the occasion of an exhibition at workffortheeyetodo in London, April-May, 1994. -- Source of annotation: Marvin or Ruth Sackner.

The author describes "The Naked One Among the Clad" as Kemensky's first ferroconcrete book of poetry. She also cites and translates into English "Futuristy-Hylaea" and "Constantinople" (probably the first ferroconcrete poem). Both are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Subtitled "Essays, manifestoes, critical and theoretical writings" the author traces the developement of visual poetry from Mallarme to contemporary multi-media poets. The essays concentrate on holographic techniques and specific holopoems of the author. The book includes in depth interview of Kac. -- Source of annotation: Marvin or Ruth Sackner.

This book reproduces announcement and invitiation cards of gallery exhibitions of concrete and visuaal poetry in Spain in the 1960s and early 1970s. This is followed by an an in-depth review illustrations of the works composed by these poets. -- Source of annotation: Marvin or Ruth Sackner.

Several photographical reproductions of covers of Futurist and Russian Avant Garde Books held by Sackner Archive are oresent in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.