d.a.levy was the owner of the Renegade Press. None of the prints have linear, readable elements. This copy has a two duplicate prints entitled, "lakefront at night" which was a separate purchase in 1981. The signed levy print is entitled, "leos casino." -- Source of annotation: Marvin or Ruth Sackner.

This check list of works by d.a. levy and his circle was collected by David Wirshup, owner of Anacapa Books. -- Source of annotation: Marvin or Ruth Sackner.

The book includes conventional poems, some with minor typographic enhancements. The CD consists of readings by levy and Taylor remastered from audiotape (1967). The cover was designed by alan horvath. -- Source of annotation: Marvin or Ruth Sackner.

The pages of this book depict scattered letters and unintelligible words in different type faces. levy was the owner of Renegade Press. According to Kent Taylor in a personal communication (1997) to the Sackners, the cover image and print was done by him rather than levy. Further, this image differs between the two copies of this book held by the Sackner Archive.*WEB 1998: Richard Aaron, Am Here Books: This is an Exhibition Catalogue.*WEB 1999: Kent Taylor, I'm baffled by Richard Aaron's comment about Aleatory Letters being an 'exhibition catalogue'. -- Source of annotation: Marvin or Ruth Sackner.

The pages of this book depict scattered letters and unintelligible words in different type faces. levy was the owner of Renegade Press. According to Kent Taylor in a personal communication (1997) to the Sackners, the cover image and print was done by him rather than levy. Further, the image differs between the two copies of this book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent several works of the three artist-poets to the exhibition including Cleveland Prints, The North American Book of the Dead, Scarab Poems by d.a. levy; The Journal of Albion Moonlight, Cloth of the Tempest, Sleepers Awake by Kenneth Patchen; 18th Dynasty Egyptian Turnon by D.r. Wagner. Although there was no check list with the catalogue, the superb installation photographs of the books and prints in cases more than make up for this oversight. The suite of collages entitled Zen Concrete on display at this exhibition were purchased by the Sackners from Ingrid Swanberg in 2008. -- Source of annotation: Marvin or Ruth Sackner.

The works for this volume were selected by George Bowering and Michael Ondaatje who respectively contributed a forward and an afterward. Nichol provide several hilarious stories about body parts. This book includes a graphic novella illustrated with photographs of Nichol and his friends. -- Source of annotation: Marvin or Ruth Sackner.

Austin writes that "by turning their home into a museum, collectors Ruth and Marvin Sackner have made concrete and visual poetry more like household words." The article and interview concisely defines and describes the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Some of these books contained a 33 1/3 rpm record; this copy did not. -- Source of annotation: Marvin or Ruth Sackner.

Khu-En-Oho is another name for d.a. levy -- Source of annotation: Marvin or Ruth Sackner.

The cover was designed by the publisher and printer, Jason Davis. This title was first printed by 400 Rabbit Press, Cleveland 1966 in 120 copies. The layout of the poem on the right side of the page is reminiscent of ee cummings' style. -- Source of annotation: Marvin or Ruth Sackner.

The cover was designed by the publisher and printer, Jason Davis. This title was first printed by 400 Rabbit Press, Cleveland 1966 in 120 copies. The layout of the poem on the right sid e of the page is reminiscent of ee cummings' style. -- Source of annotation: Marvin or Ruth Sackner.

d.a. levy designed the cover. This book is the second printing; it was first published in Pacific Beach California by an unstated publisher on an unstated date. One page has an ink addition by d.a. levy. -- Source of annotation: Marvin or Ruth Sackner.

levy wrutes about contributions of concrete poetry being solicited for a forthcoming issue of Paris Review. -- Source of annotation: Marvin or Ruth Sackner.

This is a selection of Madison collages published by Quixote that may have been used in the course taught by levy at the University of Wisconsin. -- Source of annotation: Marvin or Ruth Sackner.

d.a. levy was the proprietor of Renegade Press. The title poem was set in the style of e.e. cummings. The poems entitled "Sound Poems" are actually tongue-twisters. This was Heckman's only book. -- Source of annotation: Marvin or Ruth Sackner.

This is the 2nd edition of a poem first published by Ganglia in 1969. -- Source of annotation: Marvin or Ruth Sackner.