The maquette and original edition of this book are held by the Sackner Archive. The reprint was edited by Luciano Caruso who also contributed a critical essay on the publications and poetry of Depero. -- Source of annotation: Marvin or Ruth Sackner.

Catalog was written by Maurizio Scudero. This book also reproduces various versions of Depero's "bolt book" of 1927. The standard edition and a facsimile are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Luciano Caruso, this is a particularly faithful reproduction of the original book published in 1927 that was held at one timeby the Sackner Archive. Caruso also contributed a critical essay at the end of the book. -- Source of annotation: Marvin or Ruth Sackner.

This book was published to coincide with an exhibition of the same title held in Rovereto. The bolted book and pages from Cordial Campari, books held by the Sackner Archive are described and reproduced. In a letter to Marinetti from NYC, Depero write on page 259 "There is no other city... where you can learn to know the Jewish people. My best clients, friends, admirers are Jews... Very patient, very hard-working, persistant to the unbelievable point... They are absolutely sensitive... -- Source of annotation: Marvin or Ruth Sackner.

The catalogue edited by Wendy Kaplan was published for the inaugural exhibition of the Wolfsonian Museum, Miami Beach. The Sackner Archive lent Sonia Delaunay's "Transsiberien Railway" to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This was a minor exhibition of original Futurist documents with secondary supporting materials. -- Source of annotation: Marvin or Ruth Sackner.

The illustrations in this book deal with Depero's work for Campari. In the introduction by Verdicchio, he quotes Depero on advertising and art, "all art of the past centuries is marked bythe scope of advertising: exultation of war, of religion: documentation of facts, ceremonies and characters in their victories, in their symbols, within their gades of command and if splendour...even today we have the captains who face powerful enterprises for the valorization of their battles, of their campaigns for their own products and projects." This book also contains a manifesto on advertising which begins, 'the art of the future will tend stongly toward advertising." -- Source of annotation: Marvin or Ruth Sackner.

The catalogue is divided into Toward Futurism (1880-1909), Futurism (1909-1918) and Futurisms (1909-1930). It also contains a dictionary of Futurism, a chronology of the movement, color reproductions, listing of works exhibited, bibliography and index. Books depicted and once held by the Sackner Archive include Delauney's "Transsiberian Railroad" and Depero's "Bolted Book." The Sackner Archive still holds"Blast," "The End of the World," "BIF&ZF+18" as well as others by Cangiullo & Marinetti. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. This catalogue consisted of works from the collection of Giovanni Lista. Three Parole In Liberta (words-in-liberty) poems by Rognoni in this sale were purchased by the Sackner Archive. The items offered for sale featured Futurist periodicals and works by Rognini. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. This collection was assembled by Giovanni Lista. -- Source of annotation: Marvin or Ruth Sackner.

Announces the first complete edition of reprints of Futurist Manifestos. A letter picture, sound poem by Fortunato Depero is the center of the poster. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue lists books from the art movements, Arte Nucleare and Arte Concrete. Baj and Jorn were prominent figures in these movements. -- Source of annotation: Marvin or Ruth Sackner.