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The image on the cover is a line drawing silhouette of a model airplane. The poem reads balsa MIG. The poem was adapted from a poem written by Thomas A. Clark. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents In this Archive, Finlay indicates that this booklet is a collection of 'one-word poems' about boats. The boats are illustrated, as types, in silhouette-form, and the words are to be thought of as being a kind of 'verbal silhouette' or boat-epigram. He explains the reasons for selection of the boat types into the booklet and states that "the idea will be to keep the printed text the same size - as it were - as the illustrations, so that the text can be thought of as kind of a 'verbal' silhouette." These instructions are provided to Laurie Clark for the illustrations and to Michael Harvey for the text layout. In a letter dated 15 August 1973 to Tom and Laurie Clark about the project, he discusses the writings of Simone Weil, is pleased that they liked "Straiks," brings up the Fulcrum Press controversy, mentions ideas for the illustrations of "Silhouettes" that Laurie should draw, and recommends two books to be read. In a letter dated 1 October 1973 to Tom and Laurie Clark, Finlay...

Scope and Contents

The color photograph of this card taken by Peter Foolen depicts a river bridge scene with people and a flag labeled with the title of the poem. -- Source of annotation: Marvin or Ruth Sackner.

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This poem was composed after a work by Tom and Laurie Clark. -- Source of annotation: Marvin or Ruth Sackner.

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This poem was composed after a work by Tom and Laurie Clark. -- Source of annotation: Marvin or Ruth Sackner.

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The two folded cards, one in brown and one in white color have a similar phrase, "folding the last sail" and "folding the last sheep," respectively. -- Source of annotation: Marvin or Ruth Sackner.

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Image on the card is a drawing of a plant with a clored butterfly on it. -- Source of annotation: Marvin or Ruth Sackner.

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The color photograph comprising this card depicts a row boat with the name, "Longing," on a lake." -- Source of annotation: Marvin or Ruth Sackner.

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Mills reviews four of Clark's recent poems, The Garden, A Herb Garden, After Marvell and A Delphinium Border. -- Source of annotation: Marvin or Ruth Sackner.

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The poem was adapted from one written by Thomas A. Clark. -- Source of annotation: Marvin or Ruth Sackner.

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Includes an introductory essay by Thomas A. Clark on the significance of Pastorales. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue was edited by Neil Hanson. -- Source of annotation: Marvin or Ruth Sackner.

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This proposal calls for installation of calligraphic plaques within a stone walls enclosed garden. -- Source of annotation: Marvin or Ruth Sackner.

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This proposal calls for installation of lettered benches in Latin and German within a garden. -- Source of annotation: Marvin or Ruth Sackner.