Scope and Contents

This is a proposal for a Shopping Centre, The Gyle - Edinburgh. -- Source of annotation: Marvin or Ruth Sackner.

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Colin Sackett printed this book. Thomas A. Clark provided a critical essay entitled "Landscape under the Stars" in which he indicates that Finlay rewrites Gomringer's "5 mal 1 konstellation" by substituting words from the pre-Raphaelite poet, Christina Rossetti. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Amazon.com "It doesn't greatly matter to me whether I'm using plants or trees or stones or words or events," the artist, poet and gardener Ian Hamilton Finlay (1925-2006) once told an interviewer; "the impulse is always to make a coherent order out of things." Through a carefully edited selection from a voluminous correspondence, A Model of Order tracks the unique arc of Finlay's development, from poet writing in Scots dialect, to Concrete poet, toymaker and deviser of poems and inscriptions in glass, wood and stone, installed in parks and gardens. The title derives from Finlay's famous definition of Concrete poetry as "a model of order, even if set in a space which is full of doubt," a definition conceived in correspondence with poet Pierre Garnier. Poet and editor Thomas A. Clark's selection of Finlay's letters-to Louis Zukofsky, Robert Creeley and Ernst Jandl among others-explicates a rigorous and moral vision of the act of making." -- Source of annotation: Marvin or Ruth...

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The Sackner Archive holds a Clock that was made by Kenelm Cox on behalf of Dom Sylvester Houedard. Also in the Archive is the sculpture Suncycle that was planned with Nicholas Logsdale at the Lisson Gallery, cast in brass and sold as a multiple without a motor. The author title for this book is "Ken Cox." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The Sackner Archive holds a Clock that was made by Kenelm Cox on behalf of Dom Sylvester Houedard. Also in the Archive is the sculpture Suncycle that was planned with Nicholas Logsdale at the Lisson Gallery, cast in brass and sold as a multiple without a motor. The author title for this book is "Ken Cox." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The Sackner Archive holds a Clock that was made by Kenelm Cox on behalf of Dom Sylvester Houedard. Also in the Archive is the sculpture Suncycle that was planned with Nicholas Logsdale at the Lisson Gallery, cast in brass and sold as a multiple without a motor. The author title for this book is "Ken Cox." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The poem is printed on the inside of the several folded card, the larger brown card for sail, the smaller white card for sheep. -- Source of annotation: Marvin or Ruth Sackner.

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This poem was first published in 1981 (held by Sackner Archive) in a limited edition of 150 copies and the colors of the words were slightly different than the current work. -- Source of annotation: Marvin or Ruth Sackner.

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A single word is printed on overlapping, varied colored pages, viz., PIT, (SIC!), CAT, TOO. The cover has the word, PLUCKED, printed four times. Designated No.114 in bibliography of book entitled "The Printed Performance Brian Lane Works 1966-99." Edited by Brian Lane and Trevor Wells. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue has served as a reference to the Sackner Archive for pricing a large number of Finlay's and Cobbing's concrete and visual poetic works as well as several other poets' works. -- Source of annotation: Marvin or Ruth Sackner.

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This anthology consists of a collection of concrete poems worldwide with a focus on Canadian poets. -- Source of annotation: Marvin or Ruth Sackner.

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Experiments in Disintegrating Language was a group composed of Charles Verey, Neil Mills, and Thomas A. Clark. Konkrete Canticle was a group composed of Bob Cobbing, Paula Claire, and Michael Chant. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Experiments in Disintegrating Language was a group composed of Charles Verey, Neil Mills, and Thomas A. Clark. Konkrete Canticle was a group composed of Bob Cobbing, Paula Claire, and Michael Chant. -- Source of annotation: Marvin or Ruth Sackner.