The works listed in this catalogue and held by the Sackner Archive include the following: "Prose du Transsiberien" by Sonya Delaunay and Blais Cendrars,and "De laudeibus sanctae crucis opus" by Hrabanus Maurus. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. The Sackner Archive purchased several items by the Rixdorfer Drucke, Dieter Roth, Wolfgang Schmidt, Anna Staritsky, Pierre Albert-Birot, Timm Ulrichs, and Maurice Lemaitre at this auction. -- Source of annotation: Marvin or Ruth Sackner.

This book is a collection of essays on Liberature and James Joyce's works held on Bloomsday in Krakow in 1999 and 2000. An English summary appears at the end of the book. The editor in her essay makes the point that all Joyce's books go round in circles beginning and ending with the same themes: family, death, resurrection or rebirth. The cover depicts a reproduction of Drozd's room installation of letters that was shown in the Beyond Geometry exhibition, LACMA and Miami Museum of Art 2004. -- Source of annotation: Marvin or Ruth Sackner.

This is the 2nd edition. The 1st edition (1964) edited by Kostelanetz and Raymond Federman marked the first appearance of Federman in print with an essay on Samuel Beckett. -- Source of annotation: Marvin or Ruth Sackner.

Subitiled "L'art vivant autour du musee de Lodz," the exhibition and catalogue was more than a panorama or a retrospective of the intellectual, artistique and spiritual center of art in Poland. It was a multi-discipline manifestation of a utopian community which started in the 1930's and gave a voice to the cultural and artistic collaboration between Poland and France. The Sackners attended this exhibition held at the Pompidou Centre. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of 72 essays or partial essays of established writers, poets and philosphers. Also included are five texts relating to perspectives of Pettibon by contemporary writers and critics. Pettibon's drawings that are dispersed throughout the texts, are described as "disjunctive, and all inclusive...His initial style relied on the carefully acquired tricks and conventions of cartoon illustration...Pettibon's genius rests on the mysterious alchemy of image and text that his drawings effect. His is a poetry that defies verbal of visual categories, but relies on effacing th boundaries of each." Walter Benjamin contributed an essay, "Unpacking My Library; A Talk about Book Collecting." -- Source of annotation: Marvin or Ruth Sackner.

Dworkin selects and critiques in detail several high spots of Illegible Texts to support the title of this book, e.g., text over text, cancelled texts, neologisms. These include Guy Debord's 'Fin de Copenhague' & 'Memoires,' Susan Howe's poetic works, Charles Bernstein's 'Veils,' of which five originals are held by the Sackner Archive, Rosemary 'Waldrop's 'Camp Printing,' John Cage's mesostics, Ezra Pound's 'Cantos,' Tom Phillips' 'A Humument,' Ronald Johnson's 'Radi Os,' Ken Campbell's 'Father's Garden,' and Fraenkel's version of Mallarme's 'Coup de Des' (held by the Sackner Archive). The book is accompanied by a large section of notes to the text. -- Source of annotation: Marvin or Ruth Sackner.