This exhibition was held at the Corcoran Gallery of Art, Washington, D.C. -- Source of annotation: Marvin or Ruth Sackner.

The round images on the four pages are a backward clock face, Stonehenge, a labyrinth and the earth as seen from space. The pages are attached to the lock handle and the key is in the lock. This is Bart's greeting for the new millenium. -- Source of annotation: Marvin or Ruth Sackner.

Bookmobile is published by Booklyn, an artists bookmakers alliance based in Brooklyn whose misson is to expand the field of artists' books and creative independent publishing. -- Source of annotation: Marvin or Ruth Sackner.

Contains 20th century American artists' books, bookworks and ephemera, avant garde literature, reference material etc. The Sackners are ollsited among the contributors to the First Assembling for Tony Zwicker 1999. -- Source of annotation: Marvin or Ruth Sackner.

The book is heavily painted, tied with string and textured and cannot be opened.The spine reads "Sizzle Splat." The back cover has the word "fini." The envelope lists Winter Projects 1990 - 2010 and contains a felt disc on which is collaged a round papercard with a poem by Bart. -- Source of annotation: Marvin or Ruth Sackner.

This book was conceived and directed by Harriet Bart and printed in collaboration with Philip Gallo. Bart writes that she searches "for ancient, small quotidian objects and early signs of writing. Countless treasures of the daily capture my imagination...Objects and inscriptions, beautiful and mysterious, carry forth their secret stories and the everyday poetry of praise." Each page of found poetry is recreated by Barth and contains a unique gilded geometric form. the binding is by Jill Jevne. -- Source of annotation: Marvin or Ruth Sackner.

In this deluxe edition of the catalogue, one of the books deals exclusively with Fax Art, another with visual poetry, and the folder with original works. The Sackner Archive also holds the ordinary edition. -- Source of annotation: Marvin or Ruth Sackner.

In the forward to the catalogue, Harriet Bart writes that this exhibition "presents the book and the printed page as palimpsest: de-constructed, re-examined, re-marked, re-considered, re-constructed, re-imagined, re-invented, re-purposed." -- Source of annotation: Marvin or Ruth Sackner.