This exhibition was curated by Richard Andrews. The introduction and seven essays for this exhibition catalogue trace and describe Constructivism and its influence on Western art history in the twentieth century. Many of the works were drawn from Russian collections and are therefore newly seen in the west. The catalogue includes a timeline from 1909 to 1933 comparing events in Russia and in Western Europe. -- Source of annotation: Marvin or Ruth Sackner.

Paris-Moscow was one of four major exhibitions curated and designed by the Pompidou Centre dealing with the art connections in Paris and between Paris and three other major cities in the first third of the 20th century. The other exhibitions were Paris-Berlin, Paris-New York and Paris-Paris. The Sackners attended these exhibitions in Paris and purchased these catalogues (first editions) concurrently. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Maurice Tuchman and Stephanie Barron. This catalogue contains seventeen essays that provide a radical rethinking of abstraction with special attention to the pioneers of nonrepresentational art. The exhibition focuses on what the artist intended his painting to mean rather than how it looked. " By offering clues to the now-hidden meanings of abstract art, it helps make the esoteric accessible and the obscure visible, illuminating not only the art but also the spiritual beliefs that nourished it." -- Source of annotation: Marvin or Ruth Sackner.