Arias-Misson, Alain, 1936-
Dates
- Existence: 1936
Found in 6 Collections and/or Records:
International Festival Of Concrete Poetry / Dom Sylvester Houedard, curator ; Lionel Miskin, curator ; Altmann R ; Arias-Misson A ; Bann S ; Bory JF ; Belloli C ; Blaine J ; Breakwell I ; Chopin H ; Cobbing B ; Furnival J ; Fernbach-Flarscheim C ; Flanagan B ; Heidsieck B ; Finlay IH ; Hollo A ; levy da ; Lijn L ; Mayer HJ ; McCarthy C ; Morgan E ; Phillips T ; Riddell J ; Sharkey JJ ; Ben ; DeVree P., 1967
This document presents a superficial view of the exhibition and is more concerned with a global assessment of concrete poetry. This work is stored in the Houedard box.This dcoument consists of a three page forward by Houedard and a two page "backword" by Mishkin. -- Source of annotation: Marvin or Ruth Sackner.
Letter to John Furnival (1), 1971
Arias-Misson describes his current activities with ZAJ and explains his music score poem "La Solitude Sonore." -- Source of annotation: Marvin or Ruth Sackner.
Letter to John Furnival (2), 1971
Arias-Misson indicates that he wishes to change dedication of his music score "La Solitude Sonore" to D.S.H. (Dom Sylvester Houedard). -- Source of annotation: Marvin or Ruth Sackner.
Poesia Visiva: di/Versi e Racconti Mediterranei / Arias-Misson A ; Blaine J ; Bory JF ; Carrega U ; Caruso L ; DeVree P ; Francia C ; Groh K ; Kolar J ; Lora-Totino A ; Malquori R ; Marcucci L ; Martini SM ; Miccini E ; Ori L ; Pignotti L ; Sarenco ; Takahashi S ; Tola L ; Trinkewitz K ; Vitone R ; Havel V ; Manzoni P., 2000
This extensive exhibition of poesia visiva was curated by Nicola Micieli. Critical essays were provided by Eugenio Miccini and Lamberto Pignotti. -- Source of annotation: Marvin or Ruth Sackner.
Poesia Visiva/Voci e Anticorpi in Una Collezione Privata / Arias-Misson A ; Blaine J ; Bory JF ; Carrega U ; Caruso L ; DeVree P ; Francia C ; Groh K ; Kolar J ; Lora-Totino A ; Malquori R ; Marcucci L ; Martini SM ; Miccini E ; Pignotti L ; Sarenco ; Takahashi S ; Tola L ; Trinkewitz K ; Vitone R ; Ori L., 1999
The exhibition was curated by Nicola Micieli; Eugenio Miccini and Lamberto Pignotti contributed essays. -- Source of annotation: Marvin or Ruth Sackner.