Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

The books exhibited were part of the collection of Arthur and Elaine Cohen, owners of Ex Libris, NYC. -- Source of annotation: Marvin or Ruth Sackner.

Published on the occasion of the exhibition of the same name at the British Library in 2007, the book is organized into the following sections: Introduction; The Manifesto; The Livre d'Artiste and the Artist's Book; the Avant-Garde and the Little Magazine; The Avant-Garde Photo-Book; Legacy. The dust jacket states,"This book focuses on the printed work of avant-garde artistic movements such as Cubism, Expressionism, Futurism, Dadaism, Constructivism and Surrealism. Avant-garde artists and writers published their own manifestos, poetry magazines and books, and created new genres such as the artist's book and the photo-book. Printed works were easy to distribute and helped to disseminate avant-garde ideas internationally. Around 30 cities of particular importance to the avant-garde are featured, and their artists and contributions are described in depth." -- Source of annotation: Marvin or Ruth Sackner.

Auction catalog. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue has a fairly detailed biography of de Zayas. The exhibition features caricatures of famous poets and artists, -- Source of annotation: Marvin or Ruth Sackner.

Young includes a section on sound and concrete poetry entitled, " Post-Dada, Pop-Poetry, and the Literary Undergound." He highlights works by Henri Chopin, Bob Cobbing, Adrian Henri, Jeff Nuttall, Ian Hamilton Finlay, and Christopher Middleton. -- Source of annotation: Marvin or Ruth Sackner.

In addition to artworks, the catalogue includes extensive descriptions of Dada and Surrealism periodicals. -- Source of annotation: Marvin or Ruth Sackner.

Pictured in the catalogue and held by the Sackner Archive are Apollinaire's "Calligrammes," Marinetti's "Les Mots en Liberte Futurist," "Der Dada No.3," "291," Picabia's "Le Cannibale," "Dada No.4-5," "Der Blutige Ernst," "Der Dada No.2," Huelsenbeck's "En Avant Dada," VanDoesburg's "Kleine Dada Soiree," Mayakovski/Lissitzky's "For the Voice," " Le Coeur a Barbe." Stephen Foster contributed an essay, "Dada: Back to the Drawing Board and Richard Sheppard a comprehensive Dada chronology. The exhibition was curated by Joann Moser. -- Source of annotation: Marvin or Ruth Sackner.

This is the catalogue for a major Dada exhibition that travelled from the Pompidou Center to the National Gallery in Washington to MoMA in New York. The exhibition presents many forms of Dada in the principle cities of Zurich, Berlin, Hanover, Cologne, New York and Paris. The chief curator was Laurent Le Bon. The facsimile ticket "Etiquette de bagage" by Marcel Duchamp was made by Mike Bidlo. Includes several photographic portraits of the Dada artists/poets as well as complete reproductions of Dada periodicals. -- Source of annotation: Marvin or Ruth Sackner.

An exhibition of books, mauscripts, graphics and objects from the Howard L. & Muriel Weingrow Fine Arts Collection. Written and compiled by Haim Finklestein. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. This auction featured several works held by the Sackner Archive including Peintures de Leopold Survage by Apollinaire, La Fin du Monde by Blaise Cendrars and Fernand Leger, 291, Blast, Dada reviews, Le Coeur a Barbe, Languria Lirica, Depero Futurista, Les Mots en Liberta Futuristes by Marinetti, and Pour la Voix by El Lissitzky, -- Source of annotation: Marvin or Ruth Sackner.

Auction catalog. -- Source of annotation: Marvin or Ruth Sackner.

In "Destruction Was My Beatrice" modernist scholar Jed Rasula presents the first narrative history of Dada, showing how this little-understood artistic phenomenon laid the foundation for culture as we know it today. Although the venue where Dada was born closed after only four months and its acolytes scattered, the idea of Dada quickly spread to New York, where it influenced artistsl like Marcel Ducahmp and Man Ray to Berlin where it inspired painters George Grosz and Hannah Hoch: and to Paris, where it dethroned previous avant-garde movements like Fauvism and Cubism while inspiring early Surrealists."THIS WAS THE LAST BOOK THAT RUTH SACKNER READ AND CATALOGUED. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.