Scope and Contents

Note that the seven Paulo Bruscky photocopied prints are recorded as separate entries in the database and stored in the Bruscky box. The Archive includes eight photocopied prints and an exhibition announcement card of Clemente Padin. -- Source of annotation: Marvin or Ruth Sackner.

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This edition contains original works by international poets-artists. Includes an artist book containing rebuses by Dencker; the galley proof of this book is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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This assembling on the theme of the garden was published in conjunction with an exhibition at the Galerie am Kreuzberg with the same artists who exhibited. -- Source of annotation: Marvin or Ruth Sackner.

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The two newspapers folded onto the cover are two issues of Point d'Ironie, No.44 & No.45. -- Source of annotation: Marvin or Ruth Sackner.

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The cover is collaged with an artist stamp depicting Princess Di. -- Source of annotation: Marvin or Ruth Sackner.

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Cover was designed by Rea Nikonova. Includes an introduction by Andryczuk and an essay by Pierre Garnier on constructivistic poetry. -- Source of annotation: Marvin or Ruth Sackner.

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K.V.P. is an acronym for Kaizen = Kontinuierlicher Verbesserungs-Prozess, an assembling magazine edited by Harmut Andryczuk and Ranier Wichering. In the brief biographic section that mentions each contributor, Helmut Lohr indicates that his works are collected by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

K.V.P. is an acronym for Kaizen = Kontinuierlicher Verbesserungs-Prozess, an assembling magazine. -- Source of annotation: Marvin or Ruth Sackner.

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The theme of this book is control of pests, e.g., insects, rabbits, etc. -- Source of annotation: Marvin or Ruth Sackner.

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This book constitutes the originals from the exhibition at Studio im Hochhaus, Berlin, 1995 of collaborations between Hartmut Andryczuk and other artists and poets carried out from 1993-1995. On the previously folded pages, the contribution of Andryzuk is adjacent to the collaborator. One page was initiated by Andryczuk, the other by the collaborator. The soft cover book (24/70) in an envelope on the inside of the back cover, documents and reproduces the contributions in black & white. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This unique book was shown at an exhibition at Galerie 13 in Hannover, Germany from January 19 - February 24, 1996. Indeed, a catalogue reproducing the works in this book is included in a folder within the book; a brochure announcing the exhibition is also included. The book is divided into five parts, three in the first part and two in the second part of the dos-a-dos design. The first part includes Andryczuk's "Cosmographic Poetry and Art." This consists of 18 pages of rubberstamped images like an accordion and a stylized sun figure with a single letter in colored ink alongside the image. In addition, there are four pages of rubberstamped bees and drawn ink and gold figures and letters on commercially printed material.The second section entitled, "Letters for myself" consists of 18 pages of airmail envelopes collaged onto a white page which has been rubberstamped, "KOPIA" at the top and 030495 at the bottom. The envelopes are rubberstamped with an image of a Scuba diver and a...

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The first 75 postcards are generally ones that Andryczuk addressed to himself; he titled them the "Lobo 1998" cards. Therafter, the project becomes collaborative with other poets and artists. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This work consists of a a painted box with two bookshelves and a horizontal compartment within its center divide. It houses 10 folders holding large, handmade postcards usually from thick cardboard or fragments of hard cover bookbindings. The hard cover book documents the project, annotates the postcards, and depicts photocopied colored reproductions of one side of all the postcards. The folders hold the original postcards No.1-166 between Freddy Flores Knistoff and Harmut Andryczuk, No.167-247 between Wolf Rosenthal and Harmut Andryczuk, No.248-276 between Harmut Andryczuk and Wolf Rosenthal, No.277-298 between Harmut Andryczuk and Pierre Garnier and between Pierre Garnier and Harmut Andryczuk, and No.299-339 between Harmut Andryczuk and Freddy Flores Knistoff. The writer is identified through a symbol assigned to each. Further, Wolf Rosenthal signature on his postcards often is "lobo." The content of several cards is political dealing with the conflict in Kosovo. The edition of...

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The title of this book in English is "Why Adolf Hitler has not become an Artist." Each of the contributing artists/poets answers this question with one or more drawings or poems. For example, Olbrich writes a sentence,"? -- It's a true story." Garnier provides three ink drawings of caricatures of Hitler that focus on his prominent facial features, his moustache and hair swept to one side. They are captioned, espressionismus, Hil Heitler, and entartete Kunst. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue lists and describes all issues of Entwerter/Oder, the Assembling periodical edited by Warnke. It begins with the first issue that was published in 1982. The black and white photograph in the book by Thomas Gunther is a portrait of Warnke reading from one of his texts; it was made by Thomas Gunther. -- Source of annotation: Marvin or Ruth Sackner.