Andrews, Bruce, 1948-
Dates
- Existence: 1948-04-01-
Found in 29 Collections and/or Records:
A Cappella, 1973
This is Andrews third book. The poems are composed with clusters of single and fragmented words whose content anticipates Andrews' more developed language poetry style. An introductory manifesto describes this new poetry. The cover design incorporates typed concrete poetry on th back cover. -- Source of annotation: Marvin or Ruth Sackner.
Abacus: Blue Horizon. No.79/Jan / Bruce Andrews., 1993
Edited by Peter Ganick. -- Source of annotation: Marvin or Ruth Sackner.
Both Both, 1987
Both Both 2nd edition / Andrews, Bruce ; Cobbing, Bob., 1991
Corona, 1973
This is the poet's first or second book. -- Source of annotation: Marvin or Ruth Sackner.
Edge, 1973
This is the first book published by Andrews. In it, he provides a definition of language poetry, viz., a) fragmentation and quality of words other than (and along with) their meaning, b) stress on texture, sound, rhythm, space and silence, c) less "content" (in the old sense) but hopefully the "language" becomes the content and d) the "individual" words have meanings and associations but these are not yoked together and aimed "outside the poem" at a single externally applied meaning for a poem as a whole. -- Source of annotation: Marvin or Ruth Sackner.
Ex Why Zee / Andrews, Bruce ; Goldsmith K., 1995
This book provides the scores of multi-media performances and collaborations with the choreographer, Sally Silvers, between 1980 and 1984. The cover was designed by Kenneth Goldsmith. -- Source of annotation: Marvin or Ruth Sackner.
Excla , 1993
Executive Summary / Andrews, Bruce., 1991
Factura / Andrews, Bruce., 1987
Film Noir , 1978
The typographic layout approaches concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.
Film Noir, 1978
The typographic layout approaches concrete poetry. Bernadette [Mayer] heads The Poetry Project in NYC. -- Source of annotation: Marvin or Ruth Sackner.
Film Noir / Andrews, Bruce., 1978
The typographic layout approaches concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.
Hot Bird Mfg: Verbal Sallies. No.3/Nov / Bruce Andrews., 1990
Edited by Ray DiPalma. -- Source of annotation: Marvin or Ruth Sackner.
I Don't Have Any Paper So Shut Up (or, Social Romanticism) / Andrews, Bruce., 1992
Jeopardy, 1980
L=A=N=G=U=A=G=E [Language]. No.4/Aug / Bruce Andrews, Charles Bernstein, editors ; Zukofsky L ; Davies A ; Tolson M ; Silliman R ; Mottram E ; Mayer P ; Essary L ; Andrews B ; Moholy-Nagy L ; Grenier R ; Johnson R ; Dewdney C., 1978
In this issue, Peter Mayer contributes an insightful essay on "Poetics of the Alphabet" that deals with letter symbolism. -- Source of annotation: Marvin or Ruth Sackner.
L=A=N=G=U=A=G=E [Language]. No.6/Dec / Bruce Andrews, Charles Bernstein, editors ; Stein G ; Davidson M ; Eigner L ; Perelman B ; McCaffery S ; Higgins D ; MacLow J ; Andre C ; Grenier R ; Benjamin W ; Silliman R ; Watson C ; Rasula J ; Barthes R ; Andrews B ; Raworth T ; Bernstein C ; Laufer S., 1978
The first half of this issue deals with responses by several poets to the meaning of three short selections from Gertrude Stein's "Tender Buttons." Carl Andre responded with a conventional poem. -- Source of annotation: Marvin or Ruth Sackner.
L=A=N=G=U=A=G=E [Language]. No.7/Mar / Bruce Andrews, Charles Bernstein, editors ; McCaffery S ; Berkson B ; Greenwald T ; Ruscha E ; Laufer S ; Mayer B ; Messerli D ; Darragh T ; Davies A ; Howe S ; Piombino N ; Cheek C ; Creeley R ; Benson S ; DiPalma R ; Hejinian L ; Inman P ; Lally M ; MacLow J ; Malone K ; Noel B., 1979
About half of this issue lists non-poetry books that have been recently been read by a number of poets. -- Source of annotation: Marvin or Ruth Sackner.
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