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This catalogue documents each issue of De Tafelronde and reproduces exemplary visual/verbal poems from the publications. An index of contributors is provided. This book is stored with the periodical of the same name. -- Source of annotation: Marvin or Ruth Sackner.

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Most of the works in this exhibition date from the seventies. -- Source of annotation: Marvin or Ruth Sackner.

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This collection enclosed in an envelope includes 1) poster entitled TOOL: richerche interlinguistiche [1971], 2) two different posters entitled, Fra Significante e Significato: La Nuova Scrittura [1975], and 3) Artescrittura. -- Source of annotation: Marvin or Ruth Sackner.

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Mention is made that the Sackner Archive holds works by Fedi. -- Source of annotation: Marvin or Ruth Sackner.

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In the introduction, Saiber describes Bruno as a 16th century polymath who was a philosopher, poet, playwright, mnemonist and magus but at his core an architect of ideas. Saiber further adds that "Many among the educated class familiar with esoteric learning, like Bruno, looked to locate and empower themselves through spacial manipulation and symbloic permutation, such as memory theaters. encyclopedias, kabbalah, natural magic, alchemy, and searches for the 'perfect language.' Bruno's writing indeed contains verbal patterns that signal an unusual sensibility to the shape of of space - whether of the heavens, between people, on a page, or of one's mind." -- Source of annotation: Marvin or Ruth Sackner.

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The prints depict erotic female images with written comments and lunar phases. Water damaged and was not repaired due to settlement. -- Source of annotation: Marvin or Ruth Sackner.

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This is the second edition of this extensive international anthology of concrete and visual poetry which was first printed by Munt Press in 1977. -- Source of annotation: Marvin or Ruth Sackner.

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Includes an illustrated essay by Gian Franco Arlandi on the relationship of shaped poetry to constructivism. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This exhibition catalogue features the written and printing paintings of six artists living in Italy. It is introduced with several critical essays. For example, Vincenzo Accame contributes an essay "The Relationship between Written and Painted Signs from the Viewpoint of an Aesthetic Communication in Perspective." The catalogue provides an illustration of a painting by Anna Guillot, "di cui cenere e inizio," held by the Sackner Archive, along with two detail views of this work. Gio Ferri writes in his essay, "Anna Guillot's obsessive and luminous surface is also made up of rifts and orders. She 'illustrates' the geological and archaeological component of the return journey. The dig and the passage through stratified sedimentations of writing to the sign, from calligraphic statement to painting. But the adventure of research, the journey into the deep beyond the surface, as they become revealed, under the imposition of systemised programming, reveal, first lightly, then...

Scope and Contents Dencker has compiled a tour de force of writings, references and examples of visible language from prehistory to the present. It is accompanied by extensive footnotes of documentation asnd references. Although the text is written in German, the images still guide the reader as to the cultural impact of his well-chosen examples. He has described the writings of the most important world-wide individuals in this field while featuring German speaking writers. Omissions of influential American poets/artists include d.a. levy, John Giorno, Barbara Kruger and Paul Laffoly. The index in this book lists the birth and death dates for several individuals. Several works held by the Sackner Archive are reproduced in the book. These include among others Charles Cameron's poem for rose-marie cahc (1965) depicted in Experiencias No.2 (1975); Eino Ruutsalo's story board for the film, "ABC," (1967) [different original story board for same film held by Sackner Archive]; Konrad Balder Schauffelin's...

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The Sackner Archive is mentioned in a listing of archives of visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue includes several essays regarding the history of visual poetry and its relation to concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue includes five critical texts analyzing visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue features the following 12 poets and artists: Accame, Bentivoglio, Carrega, Ferrari, Guarneri, Mussio, Pignotti, Pomodoro, Spatola, Valentini, Vermi, and Xerra and includes an original work by each of them in an accompanying portfolio. The book consists of a photographic portrait of the poet/artist, a statement by the poet/artist about his/her work, brief texts about the work from critics, reproductions of representative works, and a brief biography. -- Source of annotation: Marvin or Ruth Sackner.

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The Sackners met Christina Weiss at a conference in Saarbrucken, West Germany (1984) held in conjunction with the exhibition, Visuelle Poesie, organized by Klaus-Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.