Scope and Contents

The recto of the photograph announces a performance by Blaine at Galerie Donguy, Paris, on December 1, 1998. Some of the photographs are images of store facades with signs that stated "Mode a Suivre." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The book consists of identical pages, viz., a printed arrow directed toward a round perforation of the page. -- Source of annotation: Marvin or Ruth Sackner.

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Exhibition was curated by Guy Bleus. This catalogue includes an introductory essay by Guy Bleus with definitions of the artist book. It also includes brief statements by several artists on the artist book, viz., Fernando Agiuar, Albrecht d., Carl Andre, Mirella Bentivoglio, Piermario Ciani, Robin Crozier, Guillermo Deisler, Goivanni Fontana, H.R. Fricker, John Held, Jr., Judith Hoffberg, Joel Hubaut, Ray Johnson, Ruggero Maggi, Robert C. Morgan, Geza Perneczky, Gunther Ruch, Serge Segay, Chuclk Welch, and Rea Nikonova. Several works depicted in the catalogue are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This special edition of the catalogue features an additional cover as a collage done by Emmett Williams and Jurgen Olbrich. The collage is done on the outer covers and the inner bck cover. The exhibition from the artist magazine collection of the late Rolf Dittmar was curated and installed by Jurgen Olbrich. It Included 350 periodicals from 25 countries which were presented in greenhouses, cases and walls. The exhibition consisted of critical, art historical and multiple art editions. The exhibition itself was arranged thematically and chronologically including "The Face of the Machine," "The Format of the Magazine," "Beginning in the 50s," "The Departure into the Present," "Literary Magazines," "Leaflets," "Art Magazines," "Fluxus Magazines," "One Artist Magazines," "Mail Art Magazines," "Assemblings," "Object Magazines," " Project and Conceptual Magazines," and " New Media." The catalogue resembles a newspaper and holder used in libraries and reading rooms. The Sackner Archive...

Scope and Contents This special edition of the catalogue features an additional cover as a collage done by Klassen, Putz, Ruch and Warnke. Both outer and inner covers are collaged.The exhibition from the artist magazine collection of the late Rolf Dittmar was curated and installed by Jurgen Olbrich. It Included 350 periodicals from 25 countries which were presented in greenhouses, cases and walls. The exhibition consisted of critical, art historical and multiple art editions. The exhibition itself was arranged thematically and chronologically including "The Face of the Machine," "The Format of the Magazine," "Beginning in the 50s," "The Departure into the Present," "Literary Magazines," "Leaflets," "Art Magazines," "Fluxus Magazines," "One Artist Magazines," "Mail Art Magazines," "Assemblings," "Object Magazines," " Project and Conceptual Magazines," and " New Media." The catalogue resembles a newspaper and holder used in libraries and reading rooms. The Sackner Archive holds most of the magazines...

Scope and Contents

This exhibition from the artist magazine collection of the late Rolf Dittmar was curated and installed by Jurgen Olbrich. It Included 350 periodicals from 25 countries which were presented in greenhouses, cases and walls. The exhibition consisted of critical, art historical and multiple art editions. The exhibition itself was arranged thematically and chronologically including "The Face of the Machine," "The Format of the Magazine," "Beginning in the 50s," "The Departure into the Present," "Literary Magazines," "Leaflets," "Art Magazines," "Fluxus Magazines," "One Artist Magazines," "Mail Art Magazines," "Assemblings," "Object Magazines," " Project and Conceptual Magazines," and " New Media." The catalogue resembles a newspaper and holder used in libraries and reading rooms. The Sackner Archive holds most of the magazines exhibited in this show but does not own several mail art assemblings that originate from Germany. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The theme of this book deals with Tarot cards. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This periodical was presented to the Sackners after a racous dinner and wine with Julien Blaine, Adriano Spatola and his brother, and, Paul Vangelista. -- Source of annotation: Marvin or Ruth Sackner.

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Depanne Machine is the designation for Jean-Marc Baude and Nelly Gerouard. -- Source of annotation: Marvin or Ruth Sackner.

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Perforations are related to images of body orifices. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The theme of this work is the Iris flower and most pages depict drawn abstractions of the flower in gray-black colors. The latter is an unexplained contradiction to the purple colors of the flower. The folder enclosing the pamphlets, pages, and drawings is inserted into an enclosure in the rectangular shaped earthy, ceramic vase which has another round enclosure for an artificial Iris flower with its stem. A polaroid photograph depicts the process of how the drawing was made - by rubbing the flower over paper to form the word "Iris" from its pigments.Also designated No.2/Tome 11 in the series ARTCI-BLE Petits Dictionnaires Portatifs. -- Source of annotation: Marvin or Ruth Sackner.