Spence, Pete, 1946-
Nationality
Australian
Found in 10 Collections and/or Records:
Australia Poet / Selenitsch, Alex, editor; spence p; Cowen R; Powell D; Tipping R; Figallo T; Murphy P; Finlay P; Uhlmann P; Jackson H; Bouchard T; Croft C; Selenitsch A; Hinchcliffe G; Geissbuehler G; Cherry K; Hawkins J; Petersen L; Rhodes F; Pi O., 1989
CO=LABORATIONS / spence, pete, editor ; Nakamura K ; Cares A ; Vleeskens C ; Cutts G ; Mizzi D ; Blaine J ; Boschi A ; Dellafiora D ; Robinson I ; Seaford R ; Seifert J., 1999
The contributors added to the central image of an arm depicting blood vessels. -- Source of annotation: Marvin or Ruth Sackner.
Cross Reference: artists in librairies / Dellafiora, David, editor ; spence p ; Ernst KS ; Helmes S ; Stetler C ; Kempton K ; Rosenberg MR ; Grumman B ; Burt W ; Dellafiora D ; Gomez A ; Collins P ; Bury S., 2000
This book documents a public library intervention aimed to creat a new dialog between artists and library users. The project offered readers the opportunity to borrow artist books. Each book holds half the bookmarks received from participants in this exhibition; the other half were placed in books in the library to be discovered by the readers. -- Source of annotation: Marvin or Ruth Sackner.
Drop in the Ocean: Thoughts on a found photo / Dellafiora, David, editor ; spence, pete, editor ; Cuthberson M ; Vleeskens C ; spence p ; Dellafiora D., 1999
The contributors altered the same photograph depicted on the cover to produce a visual/verbal art piece. -- Source of annotation: Marvin or Ruth Sackner.
Eighty Days, 1997
The label states that Eighty Days was made during an Australian Visit from June 13 until August 31, 1997. The cloth bag is labeled Networkers are Miners on one side and Fossick Edition on the other. On one of the photocopied sheets within the bag, the meaning of Fossick is given as Australian or New Zealand slang for to rummage or to search. Its contents are 30 works produced by students of the School of Arts at University of Ballarat that explore the themes of mining, minerals and local history of Ballarat, Australia.The case also contains a catalogue entitled "Field Study Australia" documenting international mail art exhibited at the Courthouse Project in Geelong, Australia.The plastic case is a blue color with the Australian flag embossed on its lid. -- Source of annotation: Marvin or Ruth Sackner.
Field Report 1997, 1997
Field Report 1998 / Dellafiora, David, editor ; Bennett JM ; spence p ; Andryczuk H ; Banana A ; Baroni V ; Bates K ; Breuer T ; Cohen R ; Cole D ; Collins P ; Cook G ; Leigh M ; Lenoir P ; Maggi R ; Mittendorf H ; Nikonova R ; Olbrich JO ; Osowski F ; Padin C ; Pawson M ; Porter B ; Purves T ; Putz C ; Seifert J ; State of Being ; Evans D ; Crozier R ; Dellafiora D ; Sackner MA ; Sackner RK ; Liversidge P ; Morandi E ; Nakamura K ; Parentela C ; Pearse N ; Perkins S ; Scala R ; Sonnenfeld M ; Vleeskens C ; Jensen KF ; Crozier R., 1998
This issue records David Dellafiora's move to Australia. -- Source of annotation: Marvin or Ruth Sackner.
Field Report 2004, 2004
K. Frank Jensen contributes an essay dealing with his mail art archive. -- Source of annotation: Marvin or Ruth Sackner.
Field Report 2006, 2007
The posters within the wrapper are three trimmed issues of "Point D'Ironie" No.38-40, Ryan McGiness, Richard Prince and Damian Hirst. -- Source of annotation: Marvin or Ruth Sackner.
Mall Statements / Dellafiora, David, editor; spence, pete, editor; Cuthbertson M; Dellafiora D; Hartigan S; Jarvis L; spence p; Vriens S., 1999
Each print has the same basic image, a full length grainy photographic portrait of a man with a sandwich board. Each poet has altered the message of the sandwich board. -- Source of annotation: Marvin or Ruth Sackner.
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- Visual art 3
- Found poetry 2
- Collaboration 1
- Concrete poetry 1
- Correspondence art 1