Scope and Contents

This book was written in 1956-1957. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue consists of a listing of books and artworks in this exhibition; there is only one image - cover by ferdinand kriwet. The First International Exhibition of Concrete, Phonetic, and Kinetic Poetry was held in the Rushmore Rooms, St. Catharine's College, Cambridge, and sponsored by the Shirley Society in 1964 published a catalogue of four pages that is out of print and not in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Deals with an academic course in which the participating poets taught students; this catalogue prints representative concrete poems and supporting texts. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

In this book, Ruhm contrasts the behavior of men and women in concrete and constructivistic poetic terms. The pages are translucent such that overlapping poems can be seen as the pages are turned. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

In this book, Ruhm contrasts the behavior of men and women in concrete and constructivistic poetic terms. The pages are translucent such that overlapping poems can be seen as the pages are turned. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Several listings in this catalog are referenced to the Sackner Archive catolog of 1986. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This exhibition was curated by Melania Gazzotti. Most of the books in this exhibition are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The text which deals with plays on the letter 'r' was first written in Morbisch in 1958.Sims Reed Jamuary 2014 eMail: "rhythmus r", is a key work of Gerhard Ruhm, a program of linguistic concretism implemented consistently through all the senses. This printed version uses the mechanical flexibility of the typewriter and communicates the associative content of the written word by the spatial arrangement of words beginning with the letter 'R'. When read, the eye wanders up and down the pages, columns of R-words are printed close to page edges, the leitmotif of "regen rauscht" or 'rain rushing' cascading to the page sides. The acoustic recorded version is loud - Ruhm producing torrents of rain, paper tears, with listeners following the 'R' verb series ""rauscht reibt rast" (Roar, rub, rest). With the artist book, Ruhm has also attempted to produce a similar acoustic sensation with one of the pages being a sheet of abrasive pink sandpaper. The printing on the verso of the sandpaper...

Scope and Contents

This book is a special issue of Fribord No.41-42, 1984. -- Source of annotation: Marvin or Ruth Sackner.