Phillips, Tom, 1937-2022
Nationality
British
Found in 1271 Collections and/or Records:
A TV Dante Diary XII (New Series) / Phillips, Tom; Erskine-Tulloch P., 1984
Tom Phillips writes about his trip to Japan and regrets not sharing it with Pella Erskind-Tulloch. Images include reproductions of Hiroshima after explosion of the Atomic Bomb interspersed with hand drawn quotes from Dante in the Italian. -- Source of annotation: Marvin or Ruth Sackner.
A TV Dante Diary XIII (New Series) / Phillips, Tom., 1984
This page consists of preparatory charts for filming sequences. The collage elements are ripped, handwritten and drawn pieces of paper. -- Source of annotation: Marvin or Ruth Sackner.
A TV Dante Diary XIV (New Series) / Phillips, Tom; Eno B; Murdoch I., 1984
This page is based on the package of a pornographic film that that Tom Phillips' son Leo found titled "Dante's Inferno." Phillips painted elements to the flattened and ripped box changed "minors" to "Minos," and crossed out portions of male anatomy. Phillips writes in his text that he showed the video tapes to Iris Murdoch and Brian Eno who liked it a lot and found it inventive. -- Source of annotation: Marvin or Ruth Sackner.
A TV Dante / Phillips, Tom ; Greenaway, Peter., 1990
A Young Woman Seated at the Virginals & A Lady at the Virginals with a Gentleman / Phillips, Tom., 1997
Phillips analyzes two paintings of Johannes Vermeer as part of his series on music in art through the ages. -- Source of annotation: Marvin or Ruth Sackner.
Africa: The Art of a Continent / Phillips, Tom, editor ; Picasso P., 1995
Published on the occasion of an exhibition with the same title held at the Royal Academy of Arts in London. Phillips, the curator of this exhibition, contributed an introductory essay. -- Source of annotation: Marvin or Ruth Sackner.
Africa: The Art of a Continent / Tom Phillips, editor., 1995
This is an audio overview of the exhibition. -- Source of annotation: Marvin or Ruth Sackner.
African Arts. No.3/Sum / Phillips T., 1996
This issue is dedicated to the exhibition and its catalogue, "Africa: The Art of a Continent" that was curated by Tom Phillips and shown at the Royal Academy of Arts in London with subsequent venues in Berlin and the Guggenheim Museum in NYC. The Sackners attended both the Royal Academy and Guggenheim shows. -- Source of annotation: Marvin or Ruth Sackner.
After Bamforth: God Send You Back / Phillips, Tom., 1976
After Bamforth: No.1925 / Phillips, Tom., 1974
After Bamforth / Phillips, Tom., 1976
These prints depict pastoral scenes and are alo held by the Australian National Gallery. They are stored in a portfolio box among the Phillips material along along with three other prints (artist proofs) out of series made in 1972 -- Source of annotation: Marvin or Ruth Sackner.
After Bamforth: Scenes most are Brightest (2) (print) / Phillips, Tom., 1972
After Bamforth (The Happy Land) / Phillips, Tom., 1972
The landscape picture, painted in a "pointilistic" style of Seurat, is best appreciated when the viewer squints. Phillips also did a print portfolio with the same title that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
After Bamforth: Tom writes "I saw H Last night but it wasn't fine" / Phillips, Tom., 1971
This is the same image as the drawing held by the Sackner Archive entitled "After Bamforth (The Happy Land)" but the color registrations are slightly different. -- Source of annotation: Marvin or Ruth Sackner.
After Bamforth: Walse Me Around Again Willie / Phillips, Tom., 1972
After Bamforth: Walse Me Around Willie Again No.2 / Phillips, Tom., 1971
After Bamforth: Walse Me Around Willie Again / Phillips, Tom., 1971
After Raphael / Phillips, Tom., 1973
The image after a painting by Raphael was created according to the proportions of the Golden Section (square root of 2). The lines making up these divisions are visible as faint black lines that have been enhanced by silkscreening a layer of clear varnish on this 31 color silkscreen print. -- Source of annotation: Marvin or Ruth Sackner.
After Terborch / Phillips, Tom., 1971
Gerard Terborch (1617-1681). He was a Dutch painter of portraits and genre scenes noted for their subtle light and color. -- Source of annotation: Marvin or Ruth Sackner.