Phillips, Tom, 1937-2022
Nationality
British
Found in 8 Collections and/or Records:
A TV Dante / Phillips, Tom ; Greenaway, Peter., 1990
[English National Opera Program] / Phillips, Tom., 1998
Tom Phillips is listed in this program for the ENO as the translator and designer for Verdi's opera, Otello. He also served as the stage manger. The catalogue reproduces two visual poetic drawings for the opera stage set. The loose folded sheet is a favorable review of the set design and translation by Phillips. -- Source of annotation: Marvin or Ruth Sackner.
Otello by Giuseppe Verdi / Tom Phillips, translator., 1998
The ENO presents operas in English with British cast members. Tom Phillips designed the set and also translated the libretto into English. -- Source of annotation: Marvin or Ruth Sackner.
The Birds / Aristophanes ; Dudley Fitts, translator ; Phillips T., 1957
This is the program for the play with music composed by Dudley Moore. Tom Phillips played the part of Kinesias. -- Source of annotation: Marvin or Ruth Sackner.
The Rebirth of Shakespeare's Globe / Levy, Paul; Phillips T., 1997
Reviews the restoration of the Globe Theatre in London for Shakespearean plays and specifically mentions Tom Phillips' production design of "The Winter's Tale." -- Source of annotation: Marvin or Ruth Sackner.
[The stage in performance, Winter's Tale] / Phillips, Tom., 1997
Tom Phillips was the designer for the production of Shakespeare's Winter's Tale at the newly reconstructed Globe Theatre and this card depicts the stage scene. -- Source of annotation: Marvin or Ruth Sackner.
Verdian Tragedy for Our Times / Milnes, Rodney; Phillips T., 1998
A favorable review of the English National Opera's Otello with set design and translation by Tom Phillips. -- Source of annotation: Marvin or Ruth Sackner.
Waiting for Godot / Beckett, Samuel ; Phillips, Tom., 2000
Tom Phillips illustrated this new edition of "Waiting for Godot," including a reproduction of his 1985 lithograph portrait of Samuel Beckett. Phillips writes in the Illustrator's Note that he made "from its almost total absence of visual clues the illustrations for the Folio Society edition...that spring from two conversations, one with Samuel Beckett, the other with the Folio Society' production director." -- Source of annotation: Marvin or Ruth Sackner.