Kevin Powers reviews the trade edition of "A Humument" by Tom Phillips and reproduces page 190. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of "Merry Meetings" by Phillips that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is a favorable review of Tom Phillips' book, "The Postcard Century." -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips' review of the film "Vincent" [Van Gogh]. -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips reviews "Leonardo da Vinci: The Artist and the Man" by Serge Bramly. -- Source of annotation: Marvin or Ruth Sackner.

The book was illustrated by Tom Phillips. -- Source of annotation: Marvin or Ruth Sackner.

Contains a review by Kay Larsen of Tom Phillips' "A Humument." -- Source of annotation: Marvin or Ruth Sackner.

Phillips writes a brilliant review of David Hockney's book on rediscovering the lost techniques of the old masters using lenses, mirrors and darkened rooms for The Times Literary Supplement. -- Source of annotation: Marvin or Ruth Sackner.

Six photographs from Tom Phillips' book published by the Bodleian Library in Oxford entitled "Women and Hats" are reproduced. The illustrations come from Phillips' extensive collection of postcards in a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips' review of "Picasso: Creator and Destroyer" by Arianna Stassinopoulos Huffington. -- Source of annotation: Marvin or Ruth Sackner.

Article on Phillips' globes entitled "Heaven and Earth" mentions globe in Sackner Archive. Phillips also reviews Wendy Beckett's book, "Contemporary Women Artists." -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips' review of "Rodin A Biography" by Frederic V. Grunfeld. -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips" review of "Andy Warhol: A Biography" by Victor Bockris. -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips reviews the exhibition and the catalogue "The Museum of the Mind" at the British Museum organized by John Mack. Phillips describes the artifacts ranging from prehistoric to 2001 as "reminders of the importance of the aesthetic; memory is most efficient assisted by artefacts in which coherence is synonymous with beauty...These leaps of time and space and subject sketch a network of associations that builds for the visitor a microcosmic map of the museum as neatly schematic and graphically witty as the plan of the London Underground." -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips' review of "The Ravished Image, or How to Ruin a Masterpiece by Restoration" by Sarah Walden. -- Source of annotation: Marvin or Ruth Sackner.

Heller includes the book "Art and Text" in his review article. In this book, Tom Phillips is described as"a pioneer of text art." His painting Here We Exemplify, held by the Sackner Archive, is depicted in this book as are pages from "A Humument." -- Source of annotation: Marvin or Ruth Sackner.

Reproduces in color the painting by Tom Phillips, "The Sackner Artchive," taken from the Phillips' exhibition catalog, Works and Texts 1992. This painting was commissioned by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.