Jean Vilar was the director of the Theatre national populaire who in 1949 declared, "The pimpa, the whores, sailors, workers, students, concierges, bus drivers, tramps, neighborhood shopkeepers, the pretty young girls on the street, all mixed inside the theater are better for our dramatic literature than the Saint-Sulpicien, the orthodox Marxist, or the committed literi and the ex-prince of the black market." (Walesman; The heroic City: Paris 1945-1958). This polemic with text structured like a telegram from the Lettristes is critical of Villar's current direction (1952) that is taking for the TNP. The peice is not depicted in Acquaviva's Bientot les Lettristes (1946-1977). -- Source of annotation: Marvin or Ruth Sackner.

The two photocopied pages consist of an article by Lemaitre published in 1954 entitled 'Le Contrat pere-fils. -- Source of annotation: Marvin or Ruth Sackner.

The bottle is a perfume bottle. Sixteen pages of the 23 are blank. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds two copies of this issue that includes a drawing by Arkitu with the same imagery but different colors. There is no indication that a deluxe edition was ever published. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds two copies of this issue that includes a drawing by Arkitu with the same imagery but different colors. There is no indication that a deluxe edition was ever published. -- Source of annotation: Marvin or Ruth Sackner.

This is also Issue No.98 of Documents Lettristes. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. Several Lettriste works were purchased from this auction by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is a supplement to the exhibition catalog with the same title. -- Source of annotation: Marvin or Ruth Sackner.

Reproduction of Mona Lisa painting adorned with Lettrist symbols done in 1964. -- Source of annotation: Marvin or Ruth Sackner.

Lemaitre presents a small catalogue of his works for sale. They date from 1954 to 1990. The Sackner Archive holds two works from this catalogue: a bronze sculpture titled "Dialogue de dieux" and a gouache titled "Les Signes s'approchent!" -- Source of annotation: Marvin or Ruth Sackner.