Scope and Contents

This is a very well illustrated catalogue of book covers of the art movements featured in the title. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Consists of a long interview between Ferrua & Lemaitre conducted with a questionaire regarding Lemaitre's work. Stored in Lemaitre box. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Charles Bernstein writes in the introductory essay that "Figuring the Word" is a wide-ranging collections of Drucker's essays in which she "presents herself as a visual artist, a literary writer, a scholar/historian, and an aesthetician. In all these areas, Drucker has made substantial contributions. But it is her synthesis of these fields that is her most extrardinary achievement." Chapters of collected essays in the book include Writing as Artifact, including a section on hypergraphy and Maurice Lemaitre; Visual Poetics; Artists' Books Past and Future; The Future of Writing; Personal Writing. In the section "The Interior Eye: Performing the Visual Text," Drucker traces visual poetry in the perfomance work of Massin & Ionesco's "The Bald Soprano," Tzara's "Boxe," Marinetti's "At Night," Iliazd "Lendentua as Beacon," and Gomringer's "Ping Pong" and other icons of visual poetry.In the section, "Iliazd and the Book as a Form of Art," Drucker discusses and/or illustrates the...

Scope and Contents

Stored with Curtay matgerial. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Agrees with Curtay's assessment of her as a competitive collector. Mentions that she is disappointed by the tone of a letter written to her by Lemaitre's sister. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

A list of Lemaitre's film bibliography is included. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The covers of the two issues held by the Sackner Archive differ in the typed material that has been collaged onto the dust jacket. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The covers of the two issues held by the Sackner Archive differ in the typed material that has been collaged onto the dust jacket. -- Source of annotation: Marvin or Ruth Sackner.