Exhibition was curated by Scott Watson who also wrote the introductory essay. Works in this exhibition featured vividly colored semi-realistic human figures but also included bissett's line drawings and concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

The cover design was taken from a drawing by Susana Wald and Ludwig Zeller. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of essays of critical texts. In an essay about the work of bill bissett, Beaulieu extols bissett's "what fuckan theory" as an early conceptual text but excoriates him for the repetive nature of his work and performances as the years progressed. -- Source of annotation: Marvin or Ruth Sackner.

Includes concrete poem by David UU on the breath of love, entitled "Verklarte Nacht" meaning Transfigured Night, written in the style of James Joyce with John Cage overtones with employment of neologisms. -- Source of annotation: Marvin or Ruth Sackner.

This was the first draft of a unpublished manuscript planned for submission to What No.1, 1985. -- Source of annotation: Marvin or Ruth Sackner.

This is an unpublished article written for the first issue of What Magazine. curry compared bissett's book, "What" to an imagined magazine of the same title. -- Source of annotation: Marvin or Ruth Sackner.