Baroni, Vittore, 1956-
Dates
- Existence: 1956 January 17
Nationality
Italian
Found in 775 Collections and/or Records:
Il Caso Williams, 1984
Il Partito del Tubo / Baroni, Vittore., 2001
Il Pino di Napoli , 1989
Il Segno Della Parola, 1989
Il segno della parola e la parola del segno / Ugo Carrega, curator ; Gut E ; Bedino D ; Martinucci G ; Fontana G ; Stagnaro U ; Bresaola G ; DeBernardi R ; Baroni V ; Albavera G ; Diamantini C ; Dodaro FS ; Guardi S ; Miles ; Guist F., 1989
The exhibition was curated by Ugo Carrega. -- Source of annotation: Marvin or Ruth Sackner.
Il Soppalco / Baroni, Vittore ; Carrion U ; Bidner M ; Scott M ; Cavelllini GA., 1991
Il Tavolo del Piccolo Iconoclasta, 2000
The images from the contributing artists/poets have the same background of a target with bull's eye. -- Source of annotation: Marvin or Ruth Sackner.
IM98 Merry Xmas Marvin + Ruth / Baroni, Vittore., 1997
The image of animals from printed material collaged onto papercard forms the word "Pax" (peace). -- Source of annotation: Marvin or Ruth Sackner.
Imaggio a Miccini , 2010
(Im)modest Piece, 1990
in contemporanea / Antonella Serafini, curator ; Baroni V ; Bove A ; Battisti C ; Maffei M ; Cupista G., 2011
The Sackners attended this exhibition while visiting Vittore Baroni in the nearby town of Viareggio. -- Source of annotation: Marvin or Ruth Sackner.
In Death of Adriano Spatola, 1988
The set of collages made in homage to Spatola's recent death, exceptionally well characterizes his personality and physical appearance. Note that four collages are framed and two of them will be hung. -- Source of annotation: Marvin or Ruth Sackner.
Indelible Words. (Parole Incancellabili), 1987
Indelible Words: Parole Incancellabili / Baroni, Vittore., 1987
Insektentexten, 2015
Installation Project 1998 / Baroni V ; Fierens L ; Galantai G ; Sutherland WM ; Filliou R ; Bulatov D ; Collins P ; Maggi R ; Tavenner P ; Netmail ; Cook G ; Summers R ; Lebel JJ ; Filliou R., 1998
The texts are interviews with artists involved with installation art who answer the following questions: Why did you choose to make installations and not anything else? What do you think of your own works? What do you think the difference is between your own work and other installations? What do you think of the relationship of traditional art work and installation? What is the size and material of an installation determined by? Is there any object or idea that can not be installed? -- Source of annotation: Marvin or Ruth Sackner.
International Artists' Book Exhibition, 2nd / Bleus G ; Aguiar F ; Andryczuk H ; Baroni V ; Berry C ; Beube D ; Blaine J ; Bruscky P ; Diotallevi M ; Deisler G ; Ely T ; Fedi F ; Ferrando B ; Higgins D ; Kiss I ; Lazaron E ; Lohr H ; Savoi A ; Tot E ; Unica T ; Silverberg RA ; Bart H ; Bentivoglio M ; Cepl G ; Colonna G ; Dove T ; Eller E ; Fricker H ; Finlay IH ; Garnier I ; Garnier P ; Gini G ; Harms A ; Hegedus L ; Hofstra S ; Keppler R ; Ketelhodt IV ; Klivar M ; Lakner L ; Leigh M ; Lenoir P ; Lora-Totino A ; Maggi R ; McCarney S ; Menezes F ; Milliken DP ; Mittendorf H ; Molnar KL ; Morandi E ; Neaderland L ; Padin C ; Perfetti M ; Perneczky G ; Persiani G ; Pittore-Eurifico C ; Preussner D ; Ruch G ; Sandri G ; Warnke U ; Schneider U ; Schraenen G ; Share S ; Shimamoto S ; Smith K ; Stolz U ; Strada G ; Suel L ; Szombathy B ; Tancredi M ; Torelli A ; Waanders H ; Silverberg RA., 1994
The catalogue of the 1st exhibition is also held by the Sackner Archive. The book includes a section devoted solely to Paper and Bookworks of Robin Ami Silverberg. -- Source of annotation: Marvin or Ruth Sackner.
International Artists'-Magazines / Jurgen O. Olbrich, curator ; Olbrich JO ; Dittmar R ; Cardella J ; Baroni V ; Meade R ; Deisler G ; Petasz P., 1991
Jurgen Olbrich curated this exhibition of the following periodicals, all held by the Sackner Archive, e.g. Entwerter/Oder, Art/Life, Tiegel&Tumult, Arte Postale, Collective Copy, Eins von Hundert, Data File, Uni/Vers (;), and Commonpress. DOOs was also exhibited but is not held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
International Artists' Postage Stamps / Baroni V ; Kustermann P., 1985
This exhibition was curated by Bernd Lobach. -- Source of annotation: Marvin or Ruth Sackner.
International Artists' Postage Stamps Part 1 / Bernd Lobach, curator ; Baroni V ; Bleus G ; Bruscky P ; Carrion U ; Cavellini GA ; Cohen R ; Colby S ; Cole D ; Corfou M ; CrackerJackKid ; Crozier R ; Diotallevi M ; Duch LF ; Eriksson L ; Fish P ; Fricker H ; Friedman K ; Galantai G ; Gini G ; Groh K ; Helmes S ; Maggi R ; Olbrich JO ; Padin C ; Pawson M ; Petasz P ; Pittore-Eurifico C ; Porter B ; Rabascall J ; Random S ; Rocola R ; Rosenberg MR ; Roth D ; Schraenen G ; Souza A ; Spiegelman L ; Stake C ; Todorovic M ; Tot E ; Varney E ; Vigo EA ; Watts R ; Kustermann P ; Acosta M ; Below P ; Bennett JM ; Bloch M ; Bidner M ; Bogdanovic N ; Boumans B ; Brehmer KP ; Burch C ; Butler R ; Bzdok H ; Creative Thing ; Albrecht d ; Dogfish ; Espinosa C ; Frangione N ; Giacomucci U ; Higgins EF-III ; Huber J ; Immoos F ; Jacob S ; Janssen R ; Jarvis D ; Jesch B ; DeJonge K ; Jupitter-Larsen G ; Citizen Kafka ; Kamperelic D ; Leigh M ; Metallic Avau ; Minoy ; Mittendorf H ; Morandi E ; Echevarria-Myers JA ; Olbrich B ; Orta J ; Perfetti M ; Roncoroni F ; Siff E ; Supek J ; Tillier T ; Tisma A ; Walsh E., 1985
Bernd Lobach, the editor and curator, contributes an essay, "Postage stamps as a medium for artists' creative messages" that explains the rational and traces the history of the stamp art movement from Robert Watts' fluxus stamps. The book was translated by Peter Kustrermann. Each page depicts a photocopied reproduction of the artist's contribution. -- Source of annotation: Marvin or Ruth Sackner.