The collages consist of 2 to 3 small photographs (snapshots) depicting American scenes and people onto which have been placed letraset words and scrambled letters that overflow the photographs onto the paper support. -- Source of annotation: Marvin or Ruth Sackner.

Collages are titled "The Invisible Man" (1975-1988), "Genealogical Three" (1976-1988), "Love/Hate" (1977-1988), "The Effects of Acid Rain on a Polynesian Beauty" (1986), "Yonization" (1987), "No Cutie" (1988). -- Source of annotation: Marvin or Ruth Sackner.

Poems consist of torn fragmented reproductions from fashion magazines with letraset lettering of Baroni's fantasies regarding the fashion model underlying the abstracted images. -- Source of annotation: Marvin or Ruth Sackner.

The poem is a statement on the dangers of automobile racing. Included in a plastic envelope as "7 Assorted Pieces." -- Source of annotation: Marvin or Ruth Sackner.

Nine stamps with different variations of the "smiley face." -- Source of annotation: Marvin or Ruth Sackner.

The main image of this collage is a collaged 33 rpm record with letraset letters as a mandala of onomatopeia and words relating to contemporary music in the upper two thirds and three small, painted paper disks in the lower third. -- Source of annotation: Marvin or Ruth Sackner.

An edition of this drawing was designed and produced by Picasso Gaglione which is also held by the Sackner Archive. The rubberstamped image included all of Baroni's rubberstamps on one page. -- Source of annotation: Marvin or Ruth Sackner.

The image on the label use the word "Agenzia" connected to "A Neoista" as well as a spaceship, "Cool Flights," and "Call any time."

Leiber's catalogues show a consistent, innovative design. This issue with alphabetical notebook tabs sponsored by Rose Holtz, references several offerings to the Sackner Archive Catalog of 1986. -- Source of annotation: Marvin or Ruth Sackner.