This volume of Miglietta's collection of concrete and visual poetry served as the catalogue for the exhibition at the Castello di Carlo V, in Lecce in November 1996. It was subtitled, "Sperimentazione, Verbo-Visuale, Multimediale, Mail-Art." The actual dates of completion of the catalogue was June 1996. The Sackner Archive is listed with contributions of catalogues to Miglietta of the 1984 Archive listing and several selected exhibition catalogues. -- Source of annotation: Marvin or Ruth Sackner.

Baroni in an essay, "Of Cyberwebs & Snailwebs," states that the death of Ray Johnson was a turning point in the mail art network. Points out that mail art is now collected and appreciated in academic circles at the same time that a contrary form of communication, internet surfing has now begun. However, believes that it will be "collaboration not competition, old and new media helping one another, integrated into a global tactic that should evolve [h]armoniously and lovingly." In addition, Baroni describes the making of his E.O.N. Share Piece, a work held by the Sackner Archive, as well as his experiences on the Internet. -- Source of annotation: Marvin or Ruth Sackner.

Baroni in an essay, "Of Cyberwebs & Snailwebs," states that the death of Ray Johnson was a turning point in the mail art network. Points out that mail art is now collected and appreciated in academic circles at the same time that a contrary form of communication, internet surfing has now begun. However, believes that it will be "collaboration not competition, old and new media helping one another, integrated into a global tactic that should evolve [h]armoniously and lovingly." In addition, Baroni describes the making of his E.O.N. Share Piece, a work held by the Sackner Archive, as well as his experiences on the Internet. -- Source of annotation: Marvin or Ruth Sackner.

Baroni in an essay, "Of Cyberwebs & Snailwebs," states that the death of Ray Johnson was a turning point in the mail art network. Points out that mail art is now collected and appreciated in academic circles at the same time that a contrary form of communication, internet surfing has now begun. However, believes that it will be "collaboration not competition, old and new media helping one another, integrated into a global tactic that should evolve [h]armoniously and lovingly." In addition, Baroni describes the making of his E.O.N. Share Piece, a work held by the Sackner Archive, as well as his experiences on the Internet. -- Source of annotation: Marvin or Ruth Sackner.

The reviews and articles deal with the rock band, Le Forbici di Manitu. -- Source of annotation: Marvin or Ruth Sackner.

The reviews and articles deal with the rock band, Le Forbici di Manitu. -- Source of annotation: Marvin or Ruth Sackner.

Baroni notes that the first 5 issues were Assemblings. Thereafter, several issues were written solely by Baroni. He mentions the Sackner Archive as having a complete collection of Arte Postale. -- Source of annotation: Marvin or Ruth Sackner.

Contains International Art Post Editions Vol.1 No.1 1988, Vol.1 No.2 1988, Vol.2 No.1 1989, Vol.2 No.2 1989, Vol.2 No.3 1989, Vol.3 No.1 1990, Vol.4 No.1. 1991, Vol.5 No.3, 1992, Vol.6 No.1 1993, Vol.7 No.1 1994, Vol.12 No.12. Also contains Artistamp News Vol.1-6 (1-8) and issue number 11. The stamp sheets are held within plastic sleeve pages. Stamp sheets have been added from 1991-1999. Anna Banana signed and numbered some of her stamp sheets. -- Source of annotation: Marvin or Ruth Sackner.

Baroni discusses his beginnings as a stamp and correspondence artist and Arte Postale. He mentions collaborative texts for a CD and floppy dics, and a book project in 1993. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this assembling deals with drinking alcoholic beverages. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this assembling deals with drinking alcoholic beverages. -- Source of annotation: Marvin or Ruth Sackner.

This a compilation of a questionaire sent to mail artists along with a request for a photographic portrait. Lloyd added abstract markings to the portraits. -- Source of annotation: Marvin or Ruth Sackner.

Depicts a black and white reproduction of a colored collage from Baroni's "Omaggio A Spatola", a suite of collages held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Depicts a black and white reproduction of a colored collage from Baroni's "Omaggio A Spatola", a suite of collages held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.