This CD consists of a 11 second recording of silence. The ink drawing of a silouette of a bird has been used in Broutin's lettriste drawings. -- Source of annotation: Marvin or Ruth Sackner.

This consists of a brief recording of four tracks, one of which is a dog barking. -- Source of annotation: Marvin or Ruth Sackner.

This is Upton's account of sound poetry compositions made at Fylkingen Stockholm and presented at the National Poetry Centre in August 1972. -- Source of annotation: Marvin or Ruth Sackner.

This anthology is the first to appear in Russia with such a scope and range of authors. It's purpose is to give Russians a feeling for a new phenomenon of contemporary literature and art; international sound poetry.The Set of 4 CDs represents the sound poetry productions of one hundred and ten poets from twenty-two countries, who currently are working in this area and related [the] audio-art fields. The theoretical base of the anthology includes essays by leading sound poets and researchers of this trend, dedicated both to the issues of the genre and the history of sound poetry development in different countries. This initial enterprise in sound poetry will let the Russian reader/listener trace the ongoing developments in the historical field of artistic goals that the contemporary experimental poets set for themselves. -- Source of annotation: Marvin or Ruth Sackner.

Stored on shelf with Hundertmark material. -- Source of annotation: Marvin or Ruth Sackner.

This booklet provides information on the events and times of presentations and includes a two page program for sound poetry. -- Source of annotation: Marvin or Ruth Sackner.

Theodore Verweyen contributes an essay in which he compares examples of Baroque figurative poetry to examples of modern concrete poetry. Eugen Gomringer writes an essay that compares examples of modern German concrete poetry to examples from poets in other countries. -- Source of annotation: Marvin or Ruth Sackner.

This issue was published in conjunction with an exhibition by Heidsieck at the Centre International de Poesie in Sept 1998. There are several reproductions of Heidsieck's works in this issue including a collage from the Canal Street series (no.42) that is held by the Sackner Archive. This collage is depicted on page 12. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Henri Chopin. Translated from French into English by Jean Chopin. The 11 poems by Heidsieck were based upon paintings of Degottex. Printed for Henri Chopin by Coriander and by Design and Print. -- Source of annotation: Marvin or Ruth Sackner.

This work was edited by Henri Chopin and translated from French into English by Jean Chopin. This copy includes the handwritten translation. The 11 poems by Heidsieck were based upon drawings by Degottex. The original drawings by Degottex in this copy served as the basis for the silkscreened prints. Printed for Henri Chopin by Coriander and by Design and Print. This copy includes the Deluxe Edition and the manuscripts and correspondence between Heidsieck and Chopin regarding its publication. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Henri Chopin. Translated from French to English by Jean Chopin. The 11 poems by Heidsieck were based upon paintings of Degottex.This copy is stored in the Heiiddieck box. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Henri Chopin. Translated from French to English by Jean Chopin. The 11 poems by Heidsieck were based upon paintings of Degottex. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Henri Chopin. Translated from French to English by Jean Chopin. The 11 poems by Heidsieck were based upon paintings by Degottex. -- Source of annotation: Marvin or Ruth Sackner.

The text consists of notes for the record of the same title; the record is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Includes an interview of Bernard Heidsieck. -- Source of annotation: Marvin or Ruth Sackner.