Scope and Contents

This collage is depicted on page 87 of Heidsieck's book, "ICI RADIO VERONA" (2009), that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This collage is depicted on page 89 of Heidsieck's book, "ICI RADIO VERONA" (2009), that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This collage is depicted on page 91 of Heidsieck's book, "ICI RADIO VERONA" (2009), that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This collage is depicted on page 94 of Heidsieck's book, "ICI RADIO VERONA" (2009), that is held by the Sackner Archive. It should be noted that the images for this series of collages was scanned from Heidsieck's book that mostly rendered the image an exact copy of the Sackner work. However, in this print the upper five images of the power plugs are not registered correctly. All the power plugs have the same dark brown color as the ones beow these images. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This collage is depicted on page 90 of Heidsieck's book, "ICI RADIO VERONA" (2009), that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This collage is depicted on page 90 of Heidsieck's book, "ICI RADIO VERONA" (2009), that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This collage is depicted on page 88 of Heidsieck's book, "ICI RADIO VERONA" (2009), that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This collage is depicted on page 95 of Heidsieck's book, "ICI RADIO VERONA" (2009), that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This collage is depicted on page 93 of Heidsieck's book, "ICI RADIO VERONA" (2009), that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The ordinary and deluxe copies that are both held by the Sackner Archive do not differ except that the deluxe copy has an original collage. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The ordinary and deluxe copies that are both held by the Sackner Archive do not differ except that the deluxe copy has an original collage. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This exhibition and catalogue were organized as a memorial to Dufrene who died in 1982. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Brion Gysin (1916-1986) was a multifaceted artist whose fertile mind and wide range of original ideas were a source of inspiration for artists of the Beat Generation in Paris, as well as to innovative artists and performers such as David Bowie, Mick Jagger, Keith Haring, and Laurie Anderson in the next generation. Painter, writer, sound poet, tape composer, lyricist, and performance artist, Gysin is remembered particularly for his evocative paintings of the North African desert in the 1950s and his original calligraphic abstractions based on Japanese and Arabic scripts. The chance discovery by Gysin of the cut-up technique (later developed and refined by William S. Burroughs) and the concept of permutated poems gave rise to new and original forms of sound art wordplay, striking not only in print but also in recordings or live performance. Gysin's inventive ideas also extended to the Dreamachine and to collages of text and photographs. This is the first comprehensive publication on...