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Gysin, Brion, 1916-1986

 Person

Dates

  • Existence: 1916 January 19 - 1986 July 13

Nationality

Canadian, British (born), French (based)

Found in 8 Collections and/or Records:

Ports of Entry: William S. Burroughs and the Arts , 1996

 Item
Identifier: CC-27654-28737
Scope and Contents This catalogue, edited by Robert A. Sobieszek, curator of photography at LACMA, was issued for an exhibition in 1996. It emphasizes the importance and influence of the painted and poetic works as well as the life of William Burroughs and his collaborator, Brion Gysin. In his preface Sobieszek writes that "Burroughs is far more than a writer of imaginative prose and speculative fiction. His revolutionary literary tactics have led him to margins of activity where genres cease to matter, where the distinctions between words and images blend together, where paragraphs become filmic montage, and where a shotgun blast is the same as a painting. At the core of Burroughs's art is the 'cut-up' technique that he and Brion Gysin developed following the appearance of Naked Lunch. While loosely related to the more traditional techniques of collage, photomontage, and text-image experiments used by modern artists, Burroughs's cut- up strategy inaugurated an essentially postmodern shift in the...
Dates: 1996

Subduing Demons in America: Selected Poems 1962-2007, 2008

 Item
Identifier: CC-49491-70537
Scope and Contents Marcus Boon, who edited this book writes, Giorno's late-1960s poems see him expanding the use of found materials, including pornographic and countercultural texts, as well as the use of repetition. Indeed, poems like "Capsule," "Give It to Me, Baby," and "Johnny Guitar" are among the most rock 'n' roll poems ever written, every bit as psychedelic and confrontational as The Stooges or Jefferson Airplane, and probably just as much the product of a wide-ranging armory of pharmaceuticals, which, as Giorno has repeatedly insisted, have the potential to open and expand the mind and bring bliss. Balling Buddha, a multicolor confection printed on pages in the six colors of the rainbow, rather than traditional black on white, introduced Giorno's signature split lines running down the center of each page-as a way of both reproducing the multitracking used in his sound poems and perturbing the linear flow of text on the page. Giorno observes that the split line "breaks the lineal flow....
Dates: 2008

Time - Place - Word / Burroughs, William S. ; Jackson Ro ; Gysin B ; Ginsberg A., 2000

 Item
Identifier: CC-43526-45599
Scope and Contents

Robert H. Jackson contributed an essay "William S. Burroughs: A Man with Qualities" and loaned much of the manuscripts to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Trance & Recalcitrance: The Private Voice in the Public Realm / Poltroon Press ; Butler F ; Johnston A ; Jandl E ; Gysin B ; Ginsberg A ; Hirschman J ; Sackner MA ; Sackner RK., 1995

 Item
Identifier: CC-04763-4852
Scope and Contents

Essays by Frances Butler and Alastair Johnston present a historical, personal view of the founding of Poltroon, its philosophy and their artistic journeys during the twenty years of the press, a private voice in the public realm. They mention seeing the exhibition, "The Altered Page" at the Center for Book Arts, NYC consisting of works from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

William Burroughs: The Algebra of Need, 1971

 Item
Identifier: CC-05757-5865
Scope and Contents

Edited by Allen De Loach. Photograph of Eric Mottram by Jennifer Cobbing. This book is one of the 1125 of a total print run of 3500 bound in cloth. Mottram minutely examines Burroughs' life and major works, stating in Chapter 1 that Burroughs is "...a radical satirist whose indignation and disgust reach through the crust of the power games of the world into the aggressive areas of the obscene....expos[ing] the -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971

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