The soft cover book accompanying this assembling of mostly visual art pieces consists of documentation through letters, poems and stories by the contributing artists. -- Source of annotation: Marvin or Ruth Sackner.

The collage consists of seven pieces of text cut in triangular shapes stapled together at the bottom. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition dealt with different designs on telephone credit cards that inscribed by participants. The colored photograph depicts a portrait of Claudia Putz. In box labeled "Pips flat periodicals." -- Source of annotation: Marvin or Ruth Sackner.

Manuel de Seabra provides a brief classification list for this book: performance poetry, concrete poetry, sound poetry, mechanical poetry, and visual poetry. A section of this book deals with Coca Cola visual poems. -- Source of annotation: Marvin or Ruth Sackner.

For this book, each artist was asked to contribute one page of autobiography and one page about anything beginning with the same initial letter as his surname. -- Source of annotation: Marvin or Ruth Sackner.

Contains statement by the artists on the definition of an Artist Book. This catalogue provides documentation of the artist's activities often accompanied by photographic reproductions. The quirky binding of this book, which in itself might be classified as an artist's book, make access to the pages difficult and time-consuming and therefore not a easily readable reference text. -- Source of annotation: Marvin or Ruth Sackner.

Of the 14 rubberstamped collages collected by Klaus Groh, only two of the authors could b identified. -- Source of annotation: Marvin or Ruth Sackner.

The cover has been altered from the cover of the catalogue of a social studies school in Zaragoza, Spain. -- Source of annotation: Marvin or Ruth Sackner.