Garnier, Pierre, 1928-2014
Dates
- Existence: 1928-01-09 - 2014-02-01
Nationality
French
Found in 10 Collections and/or Records:
C'est mon dada: Word Theatre. No.3/Mar / Theo Breuer., 2007
Die Zerstorung Dresdens und Ihre poetischen Folgen, 1995
The theme deals with the destruction of Dresden by the Allies fire bombing during World War II. -- Source of annotation: Marvin or Ruth Sackner.
Elegie / Garnier, Pierre ; Nikonova, Rea ; Segay, Serge., 1995
The theme of this book relates to the Christian religion and the clocks depicted in it represent different times of the day as a metaphor for the Stations of the Cross. -- Source of annotation: Marvin or Ruth Sackner.
Fibel - Eine Elegie / Garnier, Pierre ; Garnier, Ilse., 1993
The first half of this book by Pierre Garnier depicts the hands of a clock at different times of the day with a handwritten comment. The second half reproduces concrete poems by Ilse Garnier. The computer text provides a bibliography of the Garnier's publications. -- Source of annotation: Marvin or Ruth Sackner.
Gods by Velimir Khlebnikov / Garnier, Pierre ; Segay, Serge., 1993
Homage a Iliazd / Segay, Serge ; Garnier, Pierre., 1994
Persephone: Die Zierlichte Todesgottin Ein Marchen, 1995
Theme is the birth and death of Persephone, daughter of Zeus and Demeter who is the personification of spring; hence the use of flowers in the images. -- Source of annotation: Marvin or Ruth Sackner.
Visuelle Gedichte zu Nietzsche, 1997
Voix / Garnier, Pierre ; Segay, Serge., 1994
The cover and the pages are painted red. -- Source of annotation: Marvin or Ruth Sackner.
Warum A. Hitler Doch Ein Kunstler Wurde, 1996
Theme deals with Hitler's career as a failed artist. The portrait of Hitler carried throughout the book is an abstracted image of his two most prominent features, his hairline and moustache. Andryczuk contributes a critical essay. -- Source of annotation: Marvin or Ruth Sackner.