Finlay, Ian Hamilton, 1925-2006
Dates
- Existence: 1925 October 28 - 2006 March 27
Nationality
Scottish
Found in 1988 Collections and/or Records:
Archive for Letter Regarding Lassus' Work / Finlay, Ian Hamilton; Lassus, Bernard., 1974
Archive for Letters to Gil Silverman, Jim Haynes, etc. / Finlay, Ian Hamilton., 1983
Archive for L'Horloge de Flore [For Print that was released designated Horloge de Flore] / Finlay, Ian Hamilton; Clark, Laurie., 1974
Archive for Liege Sundial and Exhibition / Finlay, Ian Hamilton; Harvey, Micheal; Edeline F; Minguet P., 1977
Archive for Light Comes After Me & M'Illumino D'Immensita / Finlay, Ian Hamilton; Overy, Paul., 1977
Archive for Littack V Cover Additional Correspondence / Finlay, Ian Hamilton; Fidler, Martin., 1974
Archive for Littack VI Cover / Finlay, Ian Hamilton., 1974
Archive for Littack VII Cover / Finlay, Ian Hamilton., 1974
Archive for Little Secret Bird-Bath / Finlay, Ian Hamilton; Thomson, George L.; Allan, James., 1972 - 1974
Archive for Livingston Development Corporation / Finlay, Ian Hamilton., 1976
Archive for Livingston Unda / Finlay, Ian Hamilton; Bann, Stephen; Barns, Denis., 1976
Archive for Lullaby Card & Print / Finlay, Ian Hamilton; Andrew, John., 1974
Archive for L'Unique Cordeau / Finlay, Ian Hamilton; Andrew, John., 1976
Archive for Lyre/Lyres (1) & Motoring Chocolate Soldier Card / Finlay, Ian Hamilton; Heideken, Carl., 1977
Archive for Madeleine Dinkel Collaborations: Net Float, A Rose is a Rose, Contrails in Glass, etc. / Finlay, Ian Hamilton., 1976
Madeleine Dinkel works as a book designer. She was also a good friend of Jacqueline du Pré, the famous celloist who dies of multiple sclerosis in 1987. -- Source of annotation: Marvin or Ruth Sackner.
Archive for Marble Paper Boat / Finlay, Ian Hamilton; Hall, Christopher., 1977
Archive for Mare/Terra / Finlay, Ian Hamilton; Harvey, Michael; Goodricke, Susan; Costley R; Jandl E., 1973
In Sep 1973, Finlay writes to Michael Harvey requesting that Harvey and Goodricke make a ceramic-concrete maquette, based upon a Ron Costley sketch, for the Stuttgart Max Plank project. Finlay provides detailed instructions on the lettering for the work. A month later, he comments on the Harvey efforts indicating that he wants a "Matisse'y" effect which depends upon a flat surface as opposed to a kinetic effect that looses the balance between the visual and the word part. -- Source of annotation: Marvin or Ruth Sackner.