Finlay's three worded constellations serve as captions for Furnival's drawing of a Russian sailor and ship. First published in London Magazine in January 1969. This work is cited as a pamphlet (also held by Sackner Archive) but not as a print. There is also a signed edition of 300 copies.There is no reproductions in the Finlay Prints 1963-1997 book. -- Source of annotation: Marvin or Ruth Sackner.

Finlay's three worded constellations serve as captions for Furnival's drawing of a Russian sailor and ship. First published in London Magazine in January 1969. -- Source of annotation: Marvin or Ruth Sackner.

The poem describes Finlay's impression of a Pissaro landscape painting involving apple trees. -- Source of annotation: Marvin or Ruth Sackner.

The image of a sailboat with a small toy sailboat on its stern, is surrounded by text which reads "Elegy for 'Whimbel' and 'Petrel': Petrol." -- Source of annotation: Marvin or Ruth Sackner.

This poem is a proposal for the text of a stone sculpture. -- Source of annotation: Marvin or Ruth Sackner.

Finlay supplies notes that provide his interpretation of each of the six poems in this broadside. This work was loaned to the Museum of Modern Art NYC for their exhibition, "Eye on Europe: prints, books & mutiples 1960 to now." -- Source of annotation: Marvin or Ruth Sackner.

The photographs that were reproduced in this book were taken by Dianne Tammes. -- Source of annotation: Marvin or Ruth Sackner.

Max Bense contributed a two page critical essay. Each page depicts a single poem. -- Source of annotation: Marvin or Ruth Sackner.

A list of permutations on the name of the poet George Trakl who wrote, Mountains: blackness, silence, and snow. This was printed as a Christmas card for 1995. -- Source of annotation: Marvin or Ruth Sackner.

The image on the two inner pages of the card depicts a black and white print of ithe nner hull of a sailboat in a body of water. -- Source of annotation: Marvin or Ruth Sackner.